~Tim
What is the future of amp technolgy?
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- 16 posts total
Well this may prove to be an intersting thread, I think the answer is quiet simple(with today's technology). The SS vs. tube thread is another can of worms all together, those who have made there choice are standing there ground. So I won't get into that part of your question-for the record go tubes go! ;) As far as digital technology is concerned I don't see it being "the end" for an audiophile, my judgement on this is based on our format of software. I am willing to lay odds that a majority of the folks who have both digital and analog set ups have 2-10 fold the money into there analog rig, the reason for this?? its more emotional it contains body, more like actual music instead of reproduced sound. Though digital tech. is coming along I think EVERYONE(and that doesn't happen often) will agree that analog sounds better. I am willing to bet there are hundreds if not thousands of people who have 10k plus in to there analog front end and far fewer have that much into digital(and those who do most generally have many times the value of there CD player into there analog). I don't see anything digital being the audio nirvana that we all seek. I have tried several highly regarded ss amps in my system(which will remain nameless) and a few tube amps and I just find I have a much higher PRaT in my system with tubes, and to me that's what this hobby/curse is about. The only amp I would enjoy trying is Halcro and from what I am told they are great but a good tube amp will blow it out of the water(for how I like to listen that is). My comments are subjective of course to what I want from MY system everyone has different needs. Well maybe I didn't answer your querry at all but I added my .02. ~Tim |
A great example of advanced amplifier design today is the David Berning Z amplifers. High tech stuff and sounds great, does not sound like tubey tube amps or SS gear they sound more like the tonality of tubes with the bass and clarity of the better SS. This stuff uses quite an advance switching power supply amongst some other really interesting features. Berning has always been decades ahead of the pack technology wise. Tubes are his specialty and its obvious he wants to try and take advantage of them to the utmost extent. I'll be very interested to see how much better digital sources will become in the next few years, I hope we can get analog performance from the digits some day. Maybe I'm just a dreamer :) |
I am really not sure anyone is trying to make solid state sound like tubes, (except for the guys at Conrad Johnson). The goal should be to make it sound real. What is new are people like Gilbert Yeung at Blue Circle, who are taking a fresh approach and designing gear using their ears, instead of a bunch of electronic measuring equipment (helps to have great hearing). Many audio reviewers are perplexed by some Blue Circle gear, because when they hook it up to all their testing equipment, it does not spec out well on paper; which really means it does not measure against the "established norm". So they cannot not explain in a technical sense why Blue Circle gear sounds so good. This calls into question whether the "established norm" matters, or is there a better benchmark. I have read that Gilbert Yeung has said that he could make his amplifers have a quieter background, but not without sacrificing the amps musical qualities. I guess we now call this "thinking outside the box". |
Spectron seems to be doing interesting things with digital class D amplifiers. Some people seem to love it. I personally have only heard it on a low-fi system at CES and did not and do not have the expertise it would take to isolate the 'potentially great sounding amplifier' from the many 'weakest links' of the overall system. Here is the link: Spectron From my perspective as a software geek, this is the future. Oversampling in the multi-Mhz range, 128bit word lengths... The technology to archive and reproduce music will be perfect. The only problems will be the analog to digital on the front end (microphones, etc.) and D to A on the back end (amplifier output stage and speakers). We will get there in time... |
- 16 posts total