I meant to say "sources that would seem good candidates for a passive, such as the theta's", but I should add "also from output voltage and what I have read". The theta seems to benifit less from going passive, while my phono, seems to benifit more from going passive. My findings so far are opposite from what I have read would be the case.
In the quicksilver line stage, the volume is before the line stage curcuitry. The path is fron inputs, to the rotary switch, then to the other swicthes (mono, ect.) then to the attenuater, then to the active curcuitry. I have added two leads going to output jacks from the attenuater, so the active and passive are in parrallel coming from the attenuater each with it's own set of output jacks. It is actually what seems to me a good quality passive, given the stepped attenuater and quality of jacks. The only inconvenience is that the active reverses polarity, so I have to reverse the speaker cables whenever I go from one to another, or else I would put in a switch.
You bring up interesting point about the bass frequencies, I have not payed that much attention to it insofar as a mismatch, perhaps I should. I have looked only at rolling of highs as a mismatch that just would'nt work well (sound quality is the main thing, but I am refering to situations where it is not possible due to the interfaces to evan consider).
I wish I knew a way to invert polarity on a single ended signal.
In the quicksilver line stage, the volume is before the line stage curcuitry. The path is fron inputs, to the rotary switch, then to the other swicthes (mono, ect.) then to the attenuater, then to the active curcuitry. I have added two leads going to output jacks from the attenuater, so the active and passive are in parrallel coming from the attenuater each with it's own set of output jacks. It is actually what seems to me a good quality passive, given the stepped attenuater and quality of jacks. The only inconvenience is that the active reverses polarity, so I have to reverse the speaker cables whenever I go from one to another, or else I would put in a switch.
You bring up interesting point about the bass frequencies, I have not payed that much attention to it insofar as a mismatch, perhaps I should. I have looked only at rolling of highs as a mismatch that just would'nt work well (sound quality is the main thing, but I am refering to situations where it is not possible due to the interfaces to evan consider).
I wish I knew a way to invert polarity on a single ended signal.