high-end vs. ultra high-end amplifiers


It is quite frustrating to know that some amplifiers (Boulder, FM Acoustics, Accuphase) are sounding better than even very expensive ones from the big boys (Mark Levinson, Krell, Bryston, Spectral). I wonder why there is such a difference. Madrigal, Krell, Bryston, Spectral, they all belong to the high-end sector of audio industry and they are claiming they are making the best amplifiers. But I know that this is not true: I've heard amplifiers from Boulder and FM Acoustics and they sound just better than the Madrigals, Krells and so on. Is it because Boulder and FM Acoustics have more know how about amplifier design (I suppose not) or do they use more expensive parts and better circuit topologies? Do they have brighter technicians and designers? There must be an explanation for this phenomenon. It isn't magic! Maybe someone from the audio industry can reply to this thread.
dazzdax
I think some amps appeal to your own ears and others don't. But I also read a review recently of the Aleph 30 amplifier in which they noted that some designers design for specs while others design for music (musicality?). This could be the case.
I am just taking a stab at this, but I think Boulder et al. targets a different (sub)market than the big boys, which affects their respective product goals. Similar to what has already been said, the big boys cater more to the casual enthusiast, etc. while the smaller outfits are more prestigious for and respected by people further in to the hobby.
Positioning and cost are significant factors. Larger companies (ML, Krell, etc) cater to a large part of our small hi-end market and have to sell a minimum volume in order to break-even. Their positioning is "hi-end" but they have to keep market-share in order to survive. So, some compromises must be made in order to price their products within the boundaries of their target market.

FM Acoustics, for example, keeps a small production capacity, sports prices that START where others stop, and, being a small-scale producer doesn't need to support large sales. So they take less head of design&production cost; whatever the asking price, they expect that their small sales volume target will be met whatever happens. Sales at their level, they believe, are inelastic. Their positioning is "top end".

More importantly, these so called "ultra" products, can only be justified as a purchase by a small part of the market: those that have the ancilliary equip to fully enjoy differences in sonic performance (such as these differences may be). Again, Krell etc, must play for market share, so sales volume and marketing are prime considerations, they have to cater to many who, a) can afford the asking price and b) will be aware of a "difference" by using this product with their GEAR -- what Krell etc expect that gear to be (upper-mid level hi-end, usually).

As to design: there is nothing to support (IM knowledge) that bigger Cos cannot design... rather, they target the best sonic result within given retail price constraints. The effort goes there.
I'm willing to bet, ( this would be a great test/demonstration) that my integrated (YBA Passion) if it was AB'd with the very very top amps, in a BLIND FOLD test, would hold it's own. Not only mine, but many other killer $5000 amps, as well. Nobody in the reviewing industry, wants to mess with blind tests. There's huge visual, psychological, placebic, and a host of other factors in this audio kingdom, as there are in many other fields. The human factor is limitless in its' possibilities/perceptions. Remember, genius has its limitations, but ignorance is limitless.
again and again... the sounds you get from an amp, being SS or tube is often distinguished by its capability, components and application. Its a known fact that some to many tube amps sound so lush and detailed to the point I said while listening "this is the smooothest sound I have ever heard" The combo were reference VAC amps with Pipedream speakers. However, someone took that 10:00PM jazz off and put something on with smack.. I said while listening " Sounds weak and no slamm or punch...again..it really needs to be a fit.. Bryston for example have one of the LOWEST noisefloor level I ever heard.

Levinson sound which I have had for a few years till recently are often catagorized as clinical and very very focused.. the Reference #33s are so excellent when matched with the proper speaker and componment..Recently my dealer told me that he is moving away from ML and going to Spectral. both oozzing high end hand made quality.. play a track from a CD then insert a amp at half the price of those 2..at first you will hear a difference that is perhaps neglegable.. over time..it will become more and more clearer of what certain hign amps are capable of doing..To quote bundus above (I think) ya get what ya pay for ..most of the time.. At the end, if 10% better performance is worth the extra 50% cost(and to many, many,many it is)and you get the sound hat ya want.. Your ML/Spectral is a great investment.

thanks

Matt