Pro or hi-fi amp, which one would you choose?



I would perfer a pro amplifer because I am familar with them and are built like a tank. They also perform flawlessly in sound production and are reliable. Some might disagree with me but hi-fi amps are way to expensive. What are the qualitys you get from Krell that QSC doesn't have or vs. versa? What are the benefits? I would like to know what you think.
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Sean, How is it possible to have measureable distortion at 2-3khz if the amp's response can go up to 20khz? You know that we hardly ever hear 16khz. I understand that a musical program around 1-3khz will have harmonics in the upper-frequency. Having odd harmonics in the upper-frequency is not a good because it can sound harsh, lifeless, and colored. In contrast, even harmonics is what makes the presentation more musical and life-like. An oscilloscope is not really use for distortion but it can be use to analyze the wave form. If you want to find the THD, SID, or TIM, you need a RTA and a Distortion Analyzer. Of course, your ears are your main priority. BTW, I'm not against you or any thing, I just disagree with some of your answers so don't take it personal.
Sean, have you heard some type of a transformer placed between high output impedance amp and speaker. Audio Asylum had a thread on this maybe 2 weeks ago. Looked like a good way to improve damping factor. Any thoughts?
I will try to find the thread but it may not be easy.
Also, I tried and tried to find your comments about line arrays but couldn't. You had mentioned some inherent problems with the design - don't know if it was imaging, comb filtering, etc. but could you describe again. Thanks!
Highend64: An amplifier that is bandwidth limited to just above 20 KHz will show "rounding" of the leading edge of a square wave at appr 2 KHz. That is a distortion as far as i'm concerned as it is not replicating the input signal. Passing a sine wave can be "gravy" but square waves are much faster, require greater linearity and are closer to the dynamic impulses that we call "music".

Cdc: Line arrays are like any other speaker i.e. they have some advantages and some disadvantages. If done correctly, they can have some very strong advantages such as increased power handling, lower distortion due to reduced excursion, high spl capacity, sustained spl levels at greater distances, etc... Obviously, this design works best if not sitting right on top of the speakers.

If i can ever get my act together, i've got a very large line array that i'm working on for a friend's system. He is brutal on audio equipment to say the least, so after thinking about it, i decided on a line array for the above reasons. The mains ( this is a combo 2 channel / HT system ) will consist of thirty six tweeters, eighteen 4" mid-woofers and eight 12" woofers per side. This is a "budget" project in terms of the drivers selected, but i'm trying to do the best i can for him and his specific system needs and give him something that sounds pretty decent, will hold up to the chronic abuse that he dishes out and can literally shake the house on demand.

As such, i've had to do some studying on the subject and am learning more as i go along. One thing is for sure though, crossovers need to be done actively OR passively at a very sharp slope rate if you want to avoid comb filter based problems. I've been able to learn quite a bit about this subject courtesy of the "speaker nuts" on Madisound and their own personal websites that they have provided links to.

If i'm lucky, i may be able to get these speakers done in a few months. As you might guess, it is going to be VERY labor intensive in terms of just cutting all of the holes let alone installing and wiring all of the drivers. To top it off, i've got to do a center and two surrounds for him too. Needless to say, the other speakers will NOT be anywhere near as big as the mains but they will all make use of identical multiple drivers in order to maintain consisting "voicing" within the system.

As far as using a transformer between an amp and speakers, i don't like the idea unless it is a necessity. I personally prefer active multi-amping as this allows one to bypass passive components between the amp and individual speaker drivers. It has been my experience that "direct drive" sounds far more natural and dynamic than what you can get out of even the very best passive crossovers. Sean
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