How close to the real thing?


Recently a friend of mine heard a Chopin concert in a Baptist church. I had told him that I had gone out to RMAF this year and heard some of the latest gear. His comment was that he thinks the best audio systems are only about 5% close to the real thing, especially the sound of a piano, though he admitted he hasn't heard the best of the latest equipment.

That got me thinking as I have been going to the BSO a lot this fall and comparing the sound of my system to live orchestral music. It's hard to put a hard percentage on this kind of thing, but I think the best systems capture a lot more than just 5% of the sound of live music.

What do you think? Are we making progress and how close are we?
peterayer
A rhetorical question for Atmashpere -- if the U67 is such a good mic how come they never came at with a U67 Signature or U67 Reference MkII?

Pro audio companies just don't get it!
don't forget revisions A,B,C.... of the Signaturre Reference Ultimate MK2.17
The more I read this thread, the more it becomes clear to me just how much this topic has in common with the myriad threads on "tubes vs solid state" (Now I know why you've given this thread a pass Tvad). A common theme of those threads is whether or not solid state can sound like tubes. The answers always seems to narrow down to: yes to some and no to others, depending on ones personal values. I'm no expert but it seems to me that we hear with our brains, and the brain is pretty good at filtering out what it deems unimportant. Sure a home system can approach the real thing if the difference isn't that important to you. I guess what I'm trying to say is that, as with tubes, some will always hear a difference because there is one, and it's meaningful to them, while others will not because of the slight value the place on that difference.
You may be right, but to me it seems like more than just a matter of opinion in that sense that I find it hard to believe that anyone one accustomed to unamplified, acosutic music would ever be fooled by a stereo system into thinking it is real instruments in a real acoustic venue. As much as I would love to believe that my system, and other far more expensive systems I have heard, sound real, it just doesn't, though I do place a slight value on that difference. Has a recorded saxaphone, trumpet, or drum set ever sounded real to you, where you could not tell the difference (assuming you have heard the real thing)? Really? I want your system. I do agree that one person's 5% is another's 95%, but either way, somehow it is obviously never 100%, nor can it ever be IMHO. This just seems like a clearer divide to me than the tube/ss debates.
You're treading on dangerous turf, Phaelon, he says rolling his eyes. :-) Tube amps sound different from solid state amps for measureable, predictable, understandable reasons that can usually be explained by effective differences in the amp-speaker combination frequency response. The only way to tell if someone thinks a sound is "live" is by using a blind test and seeing if he or she can repeatedly correctly differentiate. I've never seen a metric for determining "live" has been achieved.