++++StereoPhile Class A components+++++


Any of you guys who have listened to more components than I have, or maybe anyone who has been in the industry: I see a lot of posts mentioning "stereophile class A " etc, so I assume this recommendation carries a lot of weight. (After purchasing my Audio PHysic Virgo II's, I saw that they were class A in stereophile, so I felt like I agreed with what they were saying.) Are the reviews completely independent? With the vast array of components out there, can they really cover all of them? Do you guys really agree with the class A and B thing? Thanks for the perspective....Mark
mythtrip
As someone who as actually been confined to quarters, I can understand Kals reluctance. I was referring corporate policies in some companies prohibiting posting on internet bulletin boards within their industry, even anonymously. It is assumed you speak for the publisher.
There is supposed to be a chinese wall between advertising and content. It appears that Stereophiles' wall seems porous to the unwashed. Myself included. Enlighten me.
Sean, actually I very much respect Kr4 reviews. The original thread was/is Stereophile class listing and the credence given. Don't get all wishy-washy on me now that a credentialed reviewer is online. remember your first post?
Trust your experience. I would never cancel my Stereophile subscription as then I could only yell at the TV. Also, Sean
Who can afford a new class A rating system, %5 of people on audiogon? Thats why were here we cannot pay full price for stereo equipment. Enjoy.
Helcat wrote: "I was referring corporate policies in some companies prohibiting posting on internet bulletin boards within their industry, even anonymously. It is assumed you speak for the publisher."

It would be incorrect to assume so. My statements here and elsewhere (including in print) are my own opinions based on my own knowledge and experience. I am not an employee of the magazine and I earn my living elsewhere.

"There is supposed to be a chinese wall between advertising and content. It appears that Stereophiles' wall seems porous to the unwashed. Myself included. Enlighten me."

I cannot enlighten since I have no knowledge of or contact with the advertising end of things. They have never contacted me about an impending/prospective review and I have certainly never contacted them. I do know who the ad people are since we have attended various functions together but there are no lines of communication or procedures.
Stereophile is in the business of selling (generally) high-priced, many would say highly overpriced, high-end gear. Why? Simple! A magazine's profits come from advertisers, generally, from my experience in the magazine business, in the ratio of 60% ad space to 40% articles. Have you noticed how much thinner Stereophile has gotten since the number and space of ads has declined. Readers, you ask? To magazines readers are a necessary evil. Advertisers pay according to the number of subscribers, which is why you get all those 'bargain' subscription offers.

This brings me to the "A" list and reviews. A magazine can't afford to antagonize advertisers or trash equipment sent for review. Obvious, isn't it! Do that and the magazine goes down the tubes (no pun intended). That's why it appears that Stereophile's reviewers haven't, to paraphrase Will Rogers, met a piece of equipment they didn't like!

Are the reviewers dishonest? Not necessarily! They must certainly be cross-pressured. On the one hand they must serve, and thus maintain, their subscriber base, and, at the same time serve the interests of makers of often overpriced equipment.

Do I read Stereophile? Sure, I do! At the going subscription rate one can't afford not to. I find it fun and sometimes even useful. I jus take their recommendations with more than a grain of salt!