All Gryphon needs to do is: a) Send a ton of equipment to The Obsolete Sound and Stereophool, for review and "long term loan" (read - we don't expect it back). b) Sign a long term contract with both magazines for full page ads. Glowing reviews will follow.
Gryphon gets no press, but is great.
Gryphon, a product I sold back in the early '90's is magical sounding gear. But according to the Owner Principal designer, he can't get arrested in the U. S. Press. I have emailed an acquaintence (Robert Harley) from my days as Director of Sales for THIEL Audio, about this and he was vaguely aware of some of this, even to the point of saying that he had a memory a negative review. That seems impossible if you read the Worldwide rave press they receive. Plus as an owner of the Callisto integrated, I can verifiy that it runs away from virtually all things (even some separates costing multiples) comparable. Why is it that a product that is so good, from their integrateds, to their separates, doesn't get a better shake in the our country? Marketing has been, in my evaluation poor, and I have shared this with Mr. Rasmussen, but even so, sometimes ground swells of interest have overcome this. Flemming Rasmussen, who is the owner, says, that the U.S. is not a large enough market for "his kind of product", and that Americans may lack the "sophistocation" to appreciate it. He was not being condescendig or vitriolic, just sadly stating his perspective. Of course, seeing all the two channel (brother) audiophiles out there, I can't believe that. What is up, other than poor marketing choices?
Any ideas and thoughts from current or previous owners would be good input. Frankly, while traveling all over the U. S. I never saw it in stores. That is sad given its performance.
Any ideas and thoughts from current or previous owners would be good input. Frankly, while traveling all over the U. S. I never saw it in stores. That is sad given its performance.
- ...
- 26 posts total
- 26 posts total