$2500 amp and pre/pro


Ok, my receiver just died. The good news I can now move on to separates and finally hear the full(er) potential in the rest of my equipment. The bad news is I'm off to medschool and, for the next several years, will redefine poor. I will be buying used off A'gon--if at all possible, I'd really like to stay under $2500 for the pair. Here's the rest of my system.

4 Vienna Acoustic Bach's
Rel Storm III sub
Pioneer 47a player
some crappy cambridge soundworks center speaker

Multichannel amps that seem to be in my price range are sunfire cinema grand, B&K, Outlaw I guess--though I don't like that option much--not really sure what else. Vienna Acoustics are warm speakers and I'm concerned that warm sounding amps might make them sound dark.

I'm really stuck when it comes to a pre/pro. They all seem to break the bank. Video switching is not crucial, SACD + DVD-A input is however. I'm also leary of processors that disable the sub in two channel mode. The Bach's are only rated to 38Hz (which I think is a stretch) and I really like to be able to use the REL to fill out the sound while in stereo.

Although I'm looking for a multichannel setup, this system will be used 90%+ for music. I enjoy two channel and multichannel alike. Movies come a distant second.

Any ideas are welcome. Thanks
ultraviolet
Sufentanil,

So the sherbourn pre/pro and 5/1500A combo edges out your $999 NAD receiver. I would hope that it did. I'm not saying the Outlaw processor is a bad product. In fact, it's a bargain at $800. What I'm saying is that the Anthem AVM2 is in a differnt league. I've had both the Anthem and the Outlaw (borrowed from a friend) in my system and the Anthem is better. It should be at 4 times the price.

I called Sherbourn and ask them what the difference was between the outlaw and the sherbourn processor and the said that they used some different caps and other things but would not go into detail. The dealer were I purchased my Sherbourn 7/2100A let me pop the top on the Sherbourn processor. I sat the outlaw right beside it and the two of use could not find any differences. They even operate the same way.

I like my sherbourn 7/2100a a lot. I consolidated by HT rig, which consisted of a pair of Aragon Palladium 1K's, and aragon 8008BB(pre-klipsch), a sars MOS400 and a pair of NAD A1 mono's down to just the Sherbourn 7/2100A. Think of all the money I saved on powercords!
Ok, I'm still mulling this decision. I had pretty much decided on picking up an AVM 2 and then I came upon this page here which compares the avm 2 to the avm 20 v1 and v2. I've heard from some who moved from the avm2 to the avm 20 that, sonically, it was a lateral move. How about all of those soundfield modes--do you avm 20 users use them? Basically, is the avm 20 worth the extra $700-800 over the avm 2?

Things that look useful to me in the avm 20 are the soundfield modes, and the bass management for multichannel analogue inputs and separate x-over settings. I have no need for more/better video switching. I'm not trying to keep up with the Joneses, I'm just worried about buying something that's obsolete before I even hook it up...
Yes, the AVM20 gives you more control over certain settings, but sonically they are real close. I don't use any of the soundfield modes.

Good luck,
Have you thought about the proceed amps, i heard them a while back and thought they were great, should be cheap here on the gon or on audioweb.com