Atma-Sphere MA-2s and Eidolons: Given Tuboo's experience with MA-2s and Genesis (thanks for sharing this), I thought I should offer some additional comment on my experience with MA-2s and Avalon Eidolons. The Eidolons are also 4 ohm nominal speakers, but they never drop below 3.6 ohms and have a smooth impedance curve (no sharp dips).
For me, the combination of MA-2s and Eidolons is the best combination with the Eidolons I have heard, solid state or tube. The control in the bass is astounding: very agile, very tight, very defined, very transparent. This is in sharp contrast to Tuboo's experience with the Genesis speakers. With the Eidolons, bass definition is excellent. Transients are exceptionally well defined at both leading and trailing edges, and timbre is "spot on."
For example, a group of audiophile friends and I listened recently to the Ray Brown and Laurindo Almeida "Moonlight Serenade" (Jeton) recording on the Eidolon/MA-2 combination. Those who have heard this will know that Ray Brown's bass is closely miked, very detailed and VERY POWERFUL: the reproduction here was outstanding, with several of our group commenting that they'd never heard a double bass reproduced with such detail, definition, agility and authority. This experience is consistent for me with the MA-2s and Eidolons over many recordings with deep powerful bass, e.g.: Mercury Firebird (Classic Records reissue); Mercury "Marcel Dupre at the Organ of Saint-Suplice" (SR 90227); Music of Durufle, Organ of Hedvig Eleonora Church (Proprius); Arnold, Eight English Dances (Lyrita); and many others.
Other tube amplifiers I've heard with the Eidolons simply cannot match the sonic virtues of the MA-2s; but I have not heard ARC Ref300/600 nor the big VTL monoblocks directly with the Eidolons. What I can say is that the Atma-Sphere MA-2s match up very, very well to these speakers and make incredible music.
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For me, the combination of MA-2s and Eidolons is the best combination with the Eidolons I have heard, solid state or tube. The control in the bass is astounding: very agile, very tight, very defined, very transparent. This is in sharp contrast to Tuboo's experience with the Genesis speakers. With the Eidolons, bass definition is excellent. Transients are exceptionally well defined at both leading and trailing edges, and timbre is "spot on."
For example, a group of audiophile friends and I listened recently to the Ray Brown and Laurindo Almeida "Moonlight Serenade" (Jeton) recording on the Eidolon/MA-2 combination. Those who have heard this will know that Ray Brown's bass is closely miked, very detailed and VERY POWERFUL: the reproduction here was outstanding, with several of our group commenting that they'd never heard a double bass reproduced with such detail, definition, agility and authority. This experience is consistent for me with the MA-2s and Eidolons over many recordings with deep powerful bass, e.g.: Mercury Firebird (Classic Records reissue); Mercury "Marcel Dupre at the Organ of Saint-Suplice" (SR 90227); Music of Durufle, Organ of Hedvig Eleonora Church (Proprius); Arnold, Eight English Dances (Lyrita); and many others.
Other tube amplifiers I've heard with the Eidolons simply cannot match the sonic virtues of the MA-2s; but I have not heard ARC Ref300/600 nor the big VTL monoblocks directly with the Eidolons. What I can say is that the Atma-Sphere MA-2s match up very, very well to these speakers and make incredible music.
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