Memories........What made you catch the Audio Bug?


I remember back in high school, my ''industrial arts'' teacher was an avid audiophile and music lover. We are going back to '73 now. I remember one day being very different from any other. Upon entering class for our usual 40 minutes of the usual wood-cutting and bird-cage building routine,(some of us were luckier, getting ,'design' classes instead) we found our teacher,Ed, busy at setting up an LP on a Thorens turntable. Alongside, some strange, industrial-looking brown and orange boxes (QUAD) and a cloth-wrapped box with the initals B&W on them. He informed us that, today, we would discover something new, ''high-Fidelity'' as he called it.

We all sat in awe as our teacher put the SGT Peppers Lonely Hearts on full blast, to the amazement of everyone in the room. Wow! What was THAT? The equipment, the sound, the MUSIC was unlike anything most of us had ever seen or heard. I remember thinking to myself, now this is how the Beatles really sound like? I just could not beleive it.

I remember that we had no quality music equipement in our home back then, as with most other kids.

It was just amazing. Word got around that 'something special was happening, in industrial art's class. Turned out the topic of the week was 'high-fidelity' discovery I guess, as every other class in turn got the same treatment all week long.

The Following year, our teacher somehow managed to get the school board to approve a special ''equipement'' expenditure, officially probably a vacuum system, or new circular saw, or band saw, whatever. The class built a special wooden closet complete with locks, to accept the new ''equipement''. When it finally arrived, holy smokes, a McIntosh amplifier and preamp, with Thorens turntable !

We ended up ''founding'' an audiophile club at school, and would have students spend their lunch hour seating in a closed room in complete darkness, listening to a complete album...against a 10 cent fee that we would keep to buy records !

If you are reading this ED, these 30 years old memories are as fresh in my mind as yesterday. Thank you so very much for sharing your passion with us, and opening our eyes to so many horizons, music being just one of them.

Just wondering how others in this forum got the audio bug also?
sonicbeauty
Wow! You remember that Gunbei?

Man, i thought nobody noticed that little incident. It was actually a pretty embarassing situation, lets just pretend that it happened as you said!

Stereo gear really diddnt matter a whole lot to me in the military. I remember buying a Technics SA-TX50 reciever while i was in japan that was AC3 ready. Ran me about 600 bucks new. In fact, i dont think they ever sold that model in the US. I paired it up with a $400 pair of pioneer speakers i got from the BX, and as far as i was concened, i had the best stereo system in the planet. I had no idea there was better stuff out there.

I had a buddy who had a set of BOSE 701's that he let me use while he was deployed in Korea. I was real excited to get em hooked up. They were in my system about 2 days when i boxed em up and put my pioneers back into play.

I spent most of my time there getting drunk off of Soju and Asahi and doing tattoos for the enlisted folks for beer. There werent any tattoo artist up there so i ended up becoming one.

That Technics SA-TX50 and those pioneers stayed with me for about 7 years, when i finally replaced them with a set of Definitive Technology 2004tls after i got back to the real world. I gave those Pioneer speakers to a friend of mine (a decision i have always regretted) It was not too far down the road where i learned how good stereo systems could be.

I guess that is when i got bit by the mid-fi bug. I was outta the BEST-BUY gear and into something a bit better.
It still was not untill around the time i first started with audiogon that i really relaized what a good stereo system should be.

Funny thing, is my music taste has changed as i got more into high end audio. Instead of spending all my time listening to techno and industrial, i listen to alot of nick cave and diana krall. However, every now and then i put the old school back in play. Earlier today i was jamming to XTORT by KMFDM.

one of these days ill have a good rig again. Getting there very very slowly, but at least instead of selling gear im back to buying it again. In fact, i plan to buy a new amplifier here in a few weeks. I enjoy the anticipation though. It makes it that much sweeter when i get something good. Patiece.
I don't recall a moment that the light bulb went off but I think it was turned on when I was a baby. My older sister was ten years my senior and my brother was seven years older than me. I even have a sister that is seven years my junior.

My folks didn't have much but they always had really great country music playing on the radio. That was back when you could pick up am stations all over the country so we listened to the Grand Ol Opry nearly every night and blue grass on the other nights. My older sister was the original bobby socks, pony tail mid 50's teenager playing those 45's of Elvis, Chuck Berry, The Big Bopper and Buddy Holly on her little portable record player. My older brother influenced me with folk music, James Brown and some of the lighter stuff of the era.

My grandfather played the fiddle and would dance a jig at the same time. His method of playing was with the neck of the violin pointing at the ground and the instrument body near his bicep. Many of his friends played bluegrass and Irish folks songs with him on a regular basis. If anyone is familiar with the Springfield, Missouri area and all of the incredible country/bluegrass talent surrounding it, that is where my family's roots are. My father, may he rest in peace, moved his little family from there for a better life but we went back regularly and I remember well those hillbilly summers of wonderful music and very interesting characters.

My brother took me to see The Rolling Stones when I was about 12. This was in Omaha on their first US tour. Perhaps 250 people showed up and they (Mick Jager) were so mad they only played three songs and stormed off stage. I even heard Mick mention on a VH1 interview (it may have been a history of rock and roll thing) a couple of years ago that the one place he would never play again was Omaha. He also took me to see the Trogs. Remember Wild Thing?

Honestly, with that kind of environment I didn't know that one could live without a daily fix of music. My grandpa, mom and dad, and older sis are all gone and I owe them a great deal for the gift they gave me. I've tried very hard to pass this along with my tiny family and since my grandson loves to sit and listen to jazz with me maybe I will succeed.

I realize it's not too late to form an appreciation for classical music but I can't shake my roots of being a hillbilly at heart. I'm just like the people that influenced me so much; much, much more than anyone that knows me can tell. I needed a good shave yesterday. I can still fondly recall going to the cistern to fetch water and using the outhouse, carrying the split oak in for the stove and gathering eggs each morning. Taking a bath in a wash tub before going to somebody's house for a spell (a good time) was time for anticipating the event. It's no wonder I feel so differnet from my contemporaries.
I'm reading all these great stories, and loving them! I also notice a trend of a love for music for a while, THEN followed by a general or specific point in time where the concept of getting the equipment comes into play. Maybe it's when it can be afforded?

As an tangent to my story, I had been into music for MANY years before buying my first true hi-fi equipment (Adcom GFA-1A amp and Apt Holman preamp in ~1984). My mother loved to listen to music, especially female vocals (Helen Reddy, Crystal Gale, etc etc). And I had two older brothers who each listened to a lot of music. I remember my first 45 and LP, The Who "Love Reign On Me" and J. Geils' "Full House Live" in ~1971 and ~1973 respectively. I remember getting huge into ELP in 1975, and Pink Floyd (Syd Barret era especially) around the same time.

Stereo-wise, I had the equivalent of a close-and-play, and a portable mono cassette recroder/player.

I graduated to a Fisher all-in-one, with receiver, cassette, and turntable. I remember opening up the speakers and seeing a single driver, and a second "driver" that just was taking up the hole - no wires! Within a couple days, I found out what a passive radiator was, and realized I was NOT ripped off. I upgraded the full range driver with a Radio Shack speaker, and the step up was dramatic.

College had me with an Aiwa minisystem due to space limitations, and about 400 cassettes!! Ah, what a group of misfits we had on our floor: a dance/disco music freak, an Ozzy Osbourne freak, a Deadhead, a Southern rocker (Molly Hatchett, Allman Bros, Mountain, etc), an alternative geek (me), and these bizarre brothers who always seemed to have only 3 songs they ever played: Monkee's "Daydream Believer," CCR "Have You Ever Seen The Rain," and the theme from the "Beverly Hillbilly's" (!).

It was my between my freshman & sophomore year that I discovered the higher end gear at Nantucket Sound, and my junior year that I bought the Adcom and Apt gear.

Last note: the Deadhead was into some stereo, and I had listened to and loved his NAD 3020 integrated as well! I bouht an Aiwa ADF-990 cassette deck from him, and I still have it to this day!

Ahhhh, memories.....
I remember very clearly the specific demonstration that started it all - for better or worse. In 1956 or thereabouts, a dealer in my home town of Lancaster, Pa. played the Dvorak 8th. Symphony on a system consisting of McIntosh and Fisher tube electronics connected to the large JBL speakers. (I think they were the famous JBL Hartsfields) When the Dvorak got to the trumpet part in the second movement where the trumpet's sound decays and sort of hangs over for a moment, I was blown away! I had never heard that decay clearly hanging over the soundfield. I was hooked from that moment on, and have never looked back. By the way, the dealer was the concertmaster of the local orchestra, so he knew exactly what he was doing!
Don't worry Ed, I don't plan on getting the supercharger, so you'll be safe when I'm on the road. About a month ago Lugnut gave me a pretty good briefing on superchargers and his experience with them. And after realizing the rammifications of increased power and torque and the other upgrades required to accommodate it, I've decided not to do it. It pays to consult wise and experienced people like Pat.

Soju and Asahi? Slappy were you stationed in Japan or near the DMZ in South Korea? I can see it now, Slappy and his homemade sign, "Will Tatt For Beer"! LOL. Slappy, you should have a booth at Alexis Park this coming January where you'll do custom tattoos for all your fellow Audiogoners. I can't wait to get mine Maori-Style! Just yesterday I registered with CES and should be getting my badge in a few months and I booked my room half way between Alexis Park and the AVN Expo, heheh.

Chams, it sure seems like you attended a very muscially and hi fidelity enlightened college! The diversity of musical tastes must have been fun, and if they started blasting all at the same time, a bit crazy too! Ahh, the passive radiator! About the time I discovered those neat unpowered guys I also discovered the effects of sympathetic radiation when I placed some small speakers on top of my Dad's KLHs. The little speakers had much more bass than I'd heard before and realized it was because the 8" woofers of the KLHs were moving to the groove even though they were unplugged. Yeah, that NAD 3020 was something special. About 12 years ago, I had the opportunity to talk with Peter Bath the designer of many of those early NAD classics. The design firm I was working for at the time was doing work for Amcli LIn and AMC. Although my knowledge of audio was quite limited then, Peter could immediately see I was an enthusiast and we became immersed in a fun and engaging discussion of audio equipment and designs. It is always a treat when you can meet a talented person like Peter and they turn out to be genuinely nice and childlike in their passion for what they do. I'll never forget this man. The only other time I had such fun talking to an audio designer was when I met Gilbert Yeung at CES 2003. Anybody that creates monoblocks in the form of high heel pumps or a preamp using a purse for a chassis has my respect both creatively and comically!

BTW SonicBeauty, great thread! This is what Audiogon is all about and threads like this forge a bond between like-minded audio and music lovers. As Chams_UK said, "Ahh the memories".