PrimaLuna ProLogue One versus Two


Anyone directly compared these two amps (with stock tubes)? What are the differences, particularly in the mids and highs?
ral
Well, here are my short comments on tube rolling so far. I have tried the Mullard CV4004 and the Amperex 7316. Both very expensive tubes. I'll probably keep them but I figured I could sell them if I don't like them (but, I do like them, oh yes). Finally, one doesn't really need to tube roll this amp as it sounds great with the stock tubes.

Mullard CV4004/12AX7: If you could draw a picture of the sound, then the Primaluna prior to this tube would have fuzzy edges. The edges are now clear and precise. Sexy? Yep. Kevin Deal's recommendation on this tube is right on point. I love the tonality of this tube. Most noticeable was what it did to the bass...so much more to hear from the bass.

Amperex 7316/12AU7: Still way to early for comments but I do notice that pairing this tube with the Mullards leads to a tighter sound with more punch. The bass sounds lower and fuller to me but with the same amount of definition I gained from the Mullard (good!). Soundstage seems moved back a little bit. Both tubes made the soundstage less forward. I definitely hear a lot more 'energy' in the music than with the stock Chinese tubes (also good!). I need to play this tube a bit more to get a real impression, however.

Next up will be some less expensive current production tubes.

I listened to Tim Buckley - 'Happy/Sad', Joni Mitchell - 'Blue', Air - 'Talkie Walkie', Echo & the Bunnymen - 'Crocodiles', Bill Evans 'Explorations' SACD, Sarah Vaughn - 'Sarah Vaughn', and many others.
About $180 for each pair. I got the Platinum Grade from Upscale on the Mullards - that jacks up the price quite a bit. Amperex 7316s seem hard to find. Good thing is both these tubes are supposed to last forever.
Plinko,

I agree with your comments on the Mullard CV4004. Definately more resolution and less fuzzy sounding. More recessed soundstage compared to the stock Chinese tubes( also very good) or the Ei Ecc-83 Gray plates I tried. More punchy, deeper bass. I am using the Mazda Chrome Plate 12AU7 ca.~1963

I have some RCA 12AX7 c.1955 long BP's (not 5751) on the way and some very highly regarded Sylvania labeled Conn.12AU7ca.~1953 on the way to audition only from a good friend.( he wont part with them to sell!!)

If you still read this thread...let us know where you are in your tube rolling on the PL2.

Regards,
Ken