Hey Pops. I think you misinterpreted my comment. I said that every Stones album since Some Girls was irrelevant. Catering to the masses is what gave us the current disposable rock era we must suffer through now. (Brittney,Matchbox 20, Pink etc.). Ironic that the music industry has downsized 45% in the last few years and although bootlegging and the internet are mostly to blame the overall product mix being mediocre factors in as well. I'd gladly buy the enhanced versions of any classic Stones albums, but I shudder at having to watch their HBO special or go and see The Dead.I've seen The Eagles, Stones, Grateful Dead and The Who(Townshend on acoustic the entire show!?) in the latter stages of their touring career. Having also seen them at times closer to their peak, I can only say that seeing them later in the game only made me miss the music that used to be theirs all the more.I respect subjectivity in the arts and may live in a musical time warp, but it seems like home to me.
Are you going to buy the Rolling Stones SACDs?
I've preordered a few already. I suspect that the recordings, despite remastering, will be far less than what SACD is capable of reproducing. But it is exciting to see a large block of music from major artists come out in the new format, and that's why I'm buying. What do you think the major labels (especially Sony, that controls vast numbers of recordings AND manufactures SACD equipment) are waiting for? Seems logical to me that getting more software out would speed sales of the electronics and interest more of the general public in the new format. Releasing SACDs would also immediately protect the record companies from copyright infringement, at least until someone manufactures an SACD burner.
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- 46 posts total
- 46 posts total