SACD - what gives?

I have to agree with all of the points being made. I probably have about a half dozen SACD's and that's it. I'm not buying recordings that i don't want to listen to, regardless of how good they are supposed to sound and / or the quality of "re-mastering". We want / need new music on these formats if you want new people to invest in the technology. Sean
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C'mon you middle age men, buy more SACDs. If there is demand, then there will be more SACD titles in the future. Afterwards, when I can get all my favorite bands on SACD, I'll jump in.

I feel I have to chime in here as well and feel compelled to add, that apart from being of the same opinion with everything said above, I feel that SACD -even with the "best" players - is a distinct disappointment as far as the upper highs are concerned and considering the financial state of the larger recording companies, we can wait a long time for new issues, which are musically or sonically worth their money. I own about 6 new issue discs and found them mostly lacking artistically and sometimes also sonically (high end of the spectrum). As far as the reissues are concerned, I must bluntly state, that my old LPs sound worlds better on my rig. ( They "breathe", whereas with SACD the highs are "dead" or blotted out by that omnipresent hiss, which you invariably get, if you have tweaters worth writing home about ) A disappointment, because I had put high hopes in this technology. So my SACD players is collecting dust and no Vigggen, no way, nor more SACDs, at least not for the time being.... (-:

Detlof, your comments above are VERY interesting, indeed I had wanted to ask you about this upper end /hi-rez point.
I've had a similar misgiving about the upper end reproduction. This I attributed to my less-than-stellar tweets (even though my electronics are wide-bandwidth). Although the analogue sounded subjectively better --through the same speakers, of course-- I assumed this was due to loss of detail on the sacd format... (even though, SUPPOSEDLY, my tweets lose their proverbial 3db at 36kHz.)

It's good to know that a mega system like yours (with upper tweets worth their salt!) gives the same experience. Elsewhere, I read a post by Mikelavigne (also the owner of a world class system) comparing his top Rockport, to a new digital set-up. He found the analogue still overall superior to the digital set-up (he didn't go into details).

On a side note, and strangely, I've found that the redbook layer on certain (dual layer) sacd's sounds better than the older single-layer redbook ??!!?

Hello Greg, good to hear from you and that you've made the same experience, regarding high-end resolution of the SACD processing. As I remember now-and if I recall right - there was a technical discussion here on these pages about 3 months ago about the very same topic, giving objective reasons for what both of us seem to hear. Sorry, for being a tad off topic, by the way. But I thought we have a point here, interesting enough to be worth mentioning.
P.S. By the way, have not listened to the Meitner DAC6 by the way, which seems to be the latest king of the SACD hill.
I own a Sony SCD XA777ES with the 4k Audience mod. Cheers,