Who's Your Favorite Bass Players; Why?


I like Paul Chambers for his groove and arco. Sam Jones for his Time. Rufus Reid becaues he taught me. Jaco because of the absolute passion. Christian McBride because he's the MAN righ now--and he's the director of the Brubeck Institute at the University of the Pacific, which is my Alma Mater; Ron Carter because of everything he's recorded; George Maraz because of his soul; Richard Davis because of his intensiity; Reggie Workman due to his authenticity; Lonnie Plaxico because of his work with he Jazz Messengers; Scott LaFaro--BECAUSE HE'S THE BEST! (Eddie Gomez and Chuck Isreal are cool, too!). Who're you 'un?
crazy4blues
Duane: Your postings are very hipological. Thanks for reminding me of Mirslov! Here's a couple more: Bob Crenshaw, who is on so many Blue Note recordings. Doug Watkins, a contemporary of Paul Chambers. Herbie Lewis, Frank Tusa, Mel Graves, and Larry Grennadier--all S.F. cats. There's also Neils Ostred Henning Pederson, who had monster chops. Gary Mapp played a lot with Monk. One of Wynton Marsalis' best bass players was Robert Hurst. You know, I can't believe I haven't mentioned Percy Heath and George Duvier! What's wrong with me??? I'm sure that I can think of a lot more, too. I gotta tell ya, I just love that instrument!
Aston 'Family Man' Barret from Bob Marley and the Wailers. His playing impressed me to the point of buying up 'Songs of Freedom' song book, where i learnt couple of dozen (most favorite) songs and never picked the bass (Fender Fretless P-Bass circa '71/ Messa Boogie 400) again! I also liked Rufus Reid's playalong books!
EL, I LOVE "The Evolving Basist!" It's a classic. It's how I learned to make bass lines!
Crazy, I have "TEB" somewhere? I worked with Simandle. Hours of scale and fret work. One of the best books for bass. Even though written in 1800's for upright/bow, you can use it with electric bass! I did it, and regret quiting.
Oops. When you mentioned "Rufus Reid's playalong books," I just assumed that you were referring to TEB. Mea culpa! But, yeah, I know all--too-well about scale and arpeggio practice, especially in D flat!