Norah Jones on Bluenote??


Is nothing sacred?.......What's next......Courtney Love at Carnegie Hall?......Pavarotti Sings The Monkees Songbook?.....
dynaco_hum
From what I understand, she was signed to Blue Note and after she made a CD that was not not as jazzy as was expected, they wanted to move her to another label. Norah insisted that she be on Blue Note, as that is where her influences are. Even though it probably meant less marketing resources for the release.

The sales of her album will help keep Blue Note around longer and probably fund more re-issues from the amazing Blue Note catalog. This is a huge plus in these days of music company consolidation and decisions based on the bottom line.

Blue Note has never tried to play it safe. And I think it's great that they scored a winner with Norah.
I don't think Norah Jones is jazz, even vaguely. I do see the appeal, in a mild sort of way, however. More importantly, her success will bankroll Blue Note in their more traditional ventures, just as the monster success of Keith Jarrett's "Koln Concert" funded ECM for years (and may still, for all I know).
Peter,
Read about it on one of the bigger audiophile vinyl websites(I'm not promoting any one in particular), think they are doing pre-orders now.

Spencer
Rives,
That reminds me something like a re-manufacturing products with cheap chinese labor.
Realy,
Why not Pass Labs make their amps in China? It's much more cheaper?
Why the respected Blue Note label decided to go to the larger "cheaper" mass allowing some delitant to be present in their repertoire of vast majority of a talented musicians? Why-not them to look for larger talents just from NY subways like Sony Music does?
I'm really catching it for this one, but look at this objectively. More people listen to Norah Jones than Hank Mobey. And guess what--even more people listen to Eminem. To me, it's not a question of popularity--or selling out (which seems to be implied). It's a matter of economics. Blue Note needs revenues to continue their quest, and they will for one sell many Norah Jones albums but I think more importantly--and hopefully, turn a few new customers their way to explore some of the jazz Blue Note has to offer.

Some of the arguments here seem to me on the order of: "No, please don't let any pop lovers discover MY jazz--it's too precious to share." I disagree, and believe that creating new avenues to that exploration such as Norah Jones is a good idea. Just my 2 cents in an area that I am certainly no expert.