SACD hybrids bad policy from Sony/Columbia?

Mr. Campbell, perhaps you should write this down so you don't misquote me every time this debate pops up. I wrote that on *ONE* of my SACD's, The Rolling Stones' Let it Bleed, I prefer the MIXES on some of the CD tracks, but the SACD layer has better SONICS. So, even on THAT hybrid, the superiority of the SACD FORMAT is demonstrated. So, now I have over 100 SACD's and
on ONE of them, I prefer the MIX on a few of the CD tracks. Further, I do appreciate the trojan horse strategy. These hybrid SACD releases have been successful. ANYTHING that puts MORE SACD's in the marketplace so I can get my hot little hands on them. As to me taking your comments as a dig at SACD -- LOL. Bad guess. Try to stay on topic this time.

Does anyone know the relative cost of manufacturing hybrid disks vs. redbook-only disks? That seems to only possible factor in this decsion, which I agree with Ben is mighty odd and quite disappointing.

Rsbeck ok,chill sir.

I'll take your word for the different mix on the layer,I haven't heard a different mix on any layer of the twenty or so SACD hybrids I own but I could be wrong and I see no point in digging out the disc to get caught in a petty debate.

I take your point on SACD superiority over the 100 discs.

I think I started this thread and it wasn't me who strayed off topic,most of the responses do that but I've long given up on the defensive stances of those who see no flaws in how SACD is developing so I hardly expect them to deal with my main point.

Well, they have to do something and hybrid "trojans" might help the numbers. As much as SACD (or DVD-A) shine when critical listening is involved, the real critical part is market share & profit. Walk into a Tower Rcds or whatever, check out the # of CDs displayed vs SACD/DVD-A, and no matter how much any of us appreciate MC audio - if they ain't movin' the numbers then sumpthin's gotta give. With overall RIAA sales tanking (due more to content offering & quality than copying, in my $.02) you'd think that anything that boosts actual sales would be good. That's probably what leads them to think that hybrids are good, 'cause who copies SACDs? Bottom line is that pure SACDs are a tiny tiny part of the overall CD sales, so anything that makes them more likely to sell will be used.

I don't see what Sony/Columbia is attempting to do by releasing a new batch of redbook CD (only) Dylan? Hybrids are a great idea. Even if you only want redbook CD it still gives you the option later to go to SACD if you choose. I don't see the downside to buying hybrids even for those not interested in SACD (unless you buy the theory that multi-layer discs have, or will have unforseen problems), since you get two or even three formats for the price of one?

As far as pricing, it goes up or down, "whenever", no matter what format is being sold. The only way to avoid getting bit by price fluctuation is to wait until the disc you want falls to the price you want to pay. It's kind of like trying to decide at what price to buy a stock.

I have been buying mostly hybrids lately, and refraining from buying redbook CD (only) from artists who I believe will soon have hybrids out. In many cases the CD layer on a hybrid is better sonically than anything by the same artist on redbook CD (only). The real loser format to me is the SACD (only) discs.

In the final analysis, all the different formats or possible future formats are leaving a lot people on the sidelines until the dust settles, if it ever does.