How much does your system retail for?


$23,000 - $24,000 I estimate. (Two channel, this does not include TV, VCR, etc.)

Please, keep the exagerations to a minumum, do not count CD's, equipment you have bought and sold, is packed away that you don't use anymore, etc..

Put the total first so it shows up at the begining of your post.

This is just for fun and curiosity of the diversity on here, don't take it to seriously. Simply evaluate what the retail value of your system is.
brianmgrarcom
About $10,000 retail. Have $4,000 invested. Monster and Bluejean cables. I have to get best bang for buck on my salary but think I have done pretty good over the years. Most equip is prev owned.
I have spent around 3500 bucks on my system and I really don't see the need to spend more. Working 30 years as a broadcast engineer kinda jaded me on spending huge sums of money on audio gear. Hell some of you guys got more in a listening system than it cost to produce the album you listen to. I've been following high end audio all my life and have never been able to fathom why anyone would spend ridiculously large sums of money on any system when most all recordings are laid down flat to begin with. I pretty much designed my system around what most board engineers listen to in doing a standard mixdown to master. I mean what exactly does spending 150 grand on a listening system get you other than bragging rights? I'm not trying to be confrontational, but if I went in to my production manager and asked for a pair of 50 thousand dollar monitor speakers, he'd laugh me out of his office.
Mine is $10k. I've found having been in this hobby since the 70s is you get what you pay for. A $50k or $60 system sounds way better than a $10k or $20k system and a 10k system really sounds a lot better than a 3k system. It's just a painful reality.

Some time ago a guy I knew, a bit of a an audiophile snob actually, with a bunch of Levinson equipment told me once you listen to the good stuff it's difficult to listen to lesser equipment. At the time I thought what a snob that he feels he must listen to the expensive stuff or he's bothered. I wouldn't go so far to paint myself in that box but I understand where he's coming from. The good stuff really does sound so much better to my ears. I recently upgraded to a more expensive amp I can surely here the difference. Same with speakers. And the same with the CDP.

But honestly I think a lot of us just try to reach analog nirvana that we remember for youth. :)

regards, David
"A $50k or $60 system sounds way better than a $10k or $20k system and a 10k system really sounds a lot better than a 3k system. It's just a painful reality."

I agree and disagree. I've had several people listen to my system and they all agree that it is wonderful. One of my friends has over 20K in McIntosh gear and honestly says it sounds as good as his. I have done serious tweeks on my system (rolled tubes, custome capped, wired my own crossovers, etc) but mostly it is off the shelf. That being said, what you said by the more spent the better it sounds is mostly true - only up to a point though. And I base this statement on what I've seen in production houses across the country. Personally I believe that high dollar systems are mostly a pshycological thing. If it cost 100 grand it MUST sound good. IF it cost 200 it must sound even better. So in theory there is no limit to great sound, but it is based on money not science. And technically speaking, you can re-create the recording session for alot less than 10 grand. And if you want more than the exact reproduction of the session , you are coloring the music. And that's a no-no. Isn't it?