Hmmm...still enjoying Neuance under my CDP, but am finding nirvana elusive. Whereas top end distortions seem mitigated, and PRAT is superb, I'm still bothered by leanness, especially noticeable on massed strings. I notice that when I pay attention I can successfully dismiss it, but find that it calls attention to itself more obviously when my sensoria are multiplexed (such as when reading). I originally attributed this stingy stringiness (say five times fast!) to the software, but then was disappointed by massed strings on Ref Rec's Respighi (Bravura) disc. Maybe I still need to chase a warmer IC for my CDP (still Red Dawn)?.........Ken mentioned a 2-3 day break-in requirement; sometimes I just want to go shake the damned thing into final-fractal-residual-resolution, and hope it fattens up a bit! So interesting that other instruments are timbrally more honest than before, however.
I'll try to get back to critical listening. Bought a few other recent Ref Recs: whereas the dynamics and horn choirs on the Copeland/Oue are stupendous, again the massed strings are pretty searing...anybody else notice this? Bonsoir.
Note that Neuance is REALLY light. Mark: I'm using a smaller
Mark IV mounted on 3 spikes tightly screwed through my shelf (per Ken's instructions). I tried cones under the CDP, but couldn't really hear an apparent difference compared to the Rotel's stock HARD feet. Interesting that I STRONGLY prefer
old Rotel 855 and Neuance to Bel Canto and DVD, eh?
.......PS Anyone got a favorite Mahler 8? I'm actually a bit disappointed in the remastered 24/96 Solti on Decca. If that's the best they can do I can't imagine how bad the original was! I hear there's a Chailly/Concertgebouw debuting in March that's impressive...oops!--sorry to fall off-thread.