Best Integrated Amp? Help...


I am looking at spending under $2000, new or used.
I want a simple no frills integrated amp.
I am using B&W Nautilus 804s which can be demanding.
Tried a Jeff Rowland, and it would not work with them.
They have done well with Classe and BAT.
Looking in the 100W to 150W range.
Any help would be greatly appreciated.
Thinking Plinius 9100, Musical Fidelity A300 or A3.5.
Thanks.
jl2
Good point about possibility of using existing integrated or pre and loading up downstream with watts and current in a separate box. JI2 originally asked for info about a new integrated - which led me to think they have need/want for both control and power amp in the same box.

This brings up the question of relative importance of power and pre amps to the sound that would eventually emerge from 804's. Perhaps the Rowland had the juice, but not the finesse? Or some kind of impedance matching difficulty? Not trying to argue a point here as much as throw an idea out there for folks to react to. I guess I think both control and power are important to overall sound, but am starting to think Preamp is critical link...

JI2, if you can get a Blue Circle NSCS for under $2K I think you may want to try that and flip it if it doesn't work out - doubt you would lose much in the transaction.
Knownothing, you really like the Blue Circle NSCS. You have been plugging one for a while, are you selling one?
It is pushing the price point for me.
I had a Classe CAP-80 that ran my B&Ws better than the Jeff Rowland Concentra II. I do not think it is a issue of power because the Classe had 80W to the Rowland's 150W. I went to the CAP-151, and then Classe separates. Worked the B&Ws right, until I met BAT. The Rowland just sounded like it was on mute, even at high volume. I do not understand why...
I came off of BAT separates, beautiful pieces. I would opt for the BAT-VK300 integrated, but that is too much $, and I do not have $ to spare right now.
I also need space, so 1 piece is better than 2.
I like the magnum dynalab 308 integrated.
I demoed the Krell KAV300, and did not like the sound [a little dark and cold].
I am worried the 400 would be the same.
Thank you all for your imput.
I would think that the Rowland Concerto would have been fine with the 804 since it's got 250 watts, but maybe he had an older unit. There would be no lack of finesse in the Concerto, but if you got much lower power with those speakers I think that bass would be poorly controlled and the transparency in thickly scored pieces would be obscured.

As I moved up the power chain with my Vienna Acoustic Beethoven Baby Grands, each step was pretty dramatic. I started with a 50 wpc Bryston which was fine until pushed or with really deep bass content. Next I went to the Conrad Johnson CA200 for 175 wpc into 8 ohms, which really showed me what the bass good do and got much cleaner on complex passages, particularly at high volume. When I went to the Rowland Continuum 500 the bass control grew by an order of excellence and the transparency opened up further, dramatically. The pres all were incremental improvements in each case, but I think it was the amplifier section that really took over my speakers and made them way more dynamic and focused. The B&W has a similar need for power and control, IME.

Given the budget, 200 watts is the minimum that I'd go for, but hope for a way to get closer to 500 watts.

Dave
Dave,

I ran my Nautilus 804 with a BAT VK-200, 100W into 8 Ohms.
No problem there, power for anything with plenty to spare, and with pretty big rooms. I think that BAT power is very conservative [felt more like 150W].
I also ran them with a Classe CA-101 prior, also @ 100W into 8 Ohms.
No problem there either, a little strained at higher output, but all good.
The Rowland I had was a Concentra II @ 150W, not the 250W Concerto.
I had really high hopes for the Concentra II, but ...
Nope, don't own and am not selling any Blue Circle gear. I do like how they sound and have a soft spot for hand made gear from builders with a passion for music and elegant designs. Blue Circle gear is hand wired with no unnecessary circuits in the way and they sound like it.

In general, I like solid state and tube gear that are dead neutral to just a bit on the warm side. For example Naim, Musical Fidelity, ARC, Cayin, PrimaLuna, Simaudio, Shanling, Vincent, Primare, and some Classe, some Conrad Johnson, some Mark Levinson, some Macintosh and even some NAD pieces. While I crave resolution, I am not crazy about super dry solid state gear, and I have very little experience with ultra high end amps.

With that said, many of these makes and other suggestions you have gotten in this thread list for well over your suggested budget and are not likely to be available at any given time on the used market, and/or don't have the power needed to drive your speakers.

Yes I like the Blue Circle as a potential one-box match for the 804's because it should sound similar to the Classe with a bit more detail and refinement - maybe not quite as good as the BAT (a high bar!!!), but not far off either. Dollar for dollar, the Chinese companies are building some really great stuff these days, and the Shanling suggested above is a good deal. If the Blue Circle is too rich, I would look at the Shanling A-3000 or the German made Vincent SV-236 Hybrid, both available new within your budget and capable of driving the B&Ws.