George, did you know our preamp can drive 32 ohm headphones directly? My speakers at home are 16 ohms and it can drive them too. Yet it is a tube preamp. The line stage is a miniature power amplifier. It has a low output impedance that is the same at 10Hz as it is at 1000Hz. It is this low output impedance that allows it to control interconnect cable artifact, and is why it is more transparent than passive controls.
During the golden age of stereo which occurred from about 1958 about 1963, many of the best jazz and classical recordings were made. Yet at that time, there were no high end audio cables made; there was no high end cable industry at all until Robert Fulton offered his first cables in 1977. Yet these recordings are amazingly transparent. This despite the fact that the interconnect cables were often over 200 feet long! It was the design of the tube electronics involved in the recordings that prevented the cables from imposing artifact.
Such would have been impossible with a passive volume control.
During the golden age of stereo which occurred from about 1958 about 1963, many of the best jazz and classical recordings were made. Yet at that time, there were no high end audio cables made; there was no high end cable industry at all until Robert Fulton offered his first cables in 1977. Yet these recordings are amazingly transparent. This despite the fact that the interconnect cables were often over 200 feet long! It was the design of the tube electronics involved in the recordings that prevented the cables from imposing artifact.
Such would have been impossible with a passive volume control.