From a purely personal observation i can say that Audiogon has dramatically increased my interest and knowledge in audio . I have bought and sold much on this site but also with the retail outlets as well . My enthusiasm has spread to my friends and subsuquently have initiated many to pick up the " bug " and get rolling as well. I find that as my audio thirst for information has grown { in no small part due to surfing archives into the wee hours of the nite learning extensively from more intelligent and thought provoking members such as the above Sean , Stehno , Fatparrot ect ect ect } , I have too become someone that others in my small community turn to for help in understanding and creating excitement in audio. There is no question that competition is good for everyone as the lackluster retail market has to shore up its collective game and stay competetive . When was the last time you drove many hours to an audio store full of excitement and wonder just to fine some slick salesman judging you by the color of your skin or clothes you wear giving you all the more reason to sink back into your comfortable , safe computer world of Audiogon. We as a community need to make sure the retail outlets survive however because without them , this all collapses for the most part as i do not feel the manufacturers could survive with direct internet audio sales alone. Dont get me wrong , there are great stores with great salespeople willing to help and educate us like Ivan at the fabulous Audio Advice in Raleigh NC. There are also many who do not share their enthusiasm . I have met many dealers and company owners on this site and feel their participation is invaluable in connecting directly with us because although print ads are fun , its impersonal . Kudos to Larry , Dan , Barry and the host of others that make the effort . Its all too easy to lose contact with the people who generate interest in all of us and move on to something else and forget about audio as there is more and more in this world competing for our limited free time in a day. Its up to every one of us to carry the torch and share with each other as well as newcommers the joy of audio. We as a fowerful community can and should do everything to keep this organic field alive and healthy. I personally shudder at the thought of high ends audio becoming a dinosaur. I have an mp3 . I also have Nearfield Pipedream 21s. They coexist just fine thank you.
Audiogon and the Hi-Fi Mags
As a longtime reader of both TAS and Stereophile, I do not recall ever having seen any discussion in either of those magazines about Audiogon and its impact on the two-channel audio business.
To me, Audiogon is by far the biggest story in high-end audio in the last ten years. If it is in fact the case that the two main hi-fi rags have never discussed the advent of Audiogon and its impact on the industry even casually, let alone do an article or feature piece on it, that is curious, especially because both magazines have columns devoted to developments in the hi-fi industry and regularly run feature pieces about industry developments. Not to cast aspersions, but I know that many manufacturers and retailers do not like Audiogon and believe it to have a pernicious affect on the industry (it has created a huge market for used components and on-line sales of new products that suppress sales of new products sold through traditional dealer networks / the counter argument is that Audiogon has greatly expanded the high-end hi-fi market generally, creating much greater knowledge of and demand for new products and after-sales service from all sources), so could it be that they have exerted pressure on the magazines to keep quiet about Audiogon? It is also the case that the hi-fi rags get taken to task a lot in Audiogon threads (sometime fairly and sometimes unfairly, in my opinion), so this may be a reason why we don't hear about Audiogon in the magazines. Lastly, are the mags incompetent and have just missed the story? For whatever its worth, I know that Audiogon has advertised in one (perhaps both) of those magazines.
I let my subscriptions to TAS and Stereophile lapse last year, so perhaps they have treated the subject and I have missed it? If the subject has not been treated, does anyone know whether any B-school has done a case study of Audiogon's affect on the industry? If yes, I'd love to see it.
Perhaps Kal and others associated with the magazines have some insight that they would care to share?
Please temper your comments so this thread does not get pulled.
To me, Audiogon is by far the biggest story in high-end audio in the last ten years. If it is in fact the case that the two main hi-fi rags have never discussed the advent of Audiogon and its impact on the industry even casually, let alone do an article or feature piece on it, that is curious, especially because both magazines have columns devoted to developments in the hi-fi industry and regularly run feature pieces about industry developments. Not to cast aspersions, but I know that many manufacturers and retailers do not like Audiogon and believe it to have a pernicious affect on the industry (it has created a huge market for used components and on-line sales of new products that suppress sales of new products sold through traditional dealer networks / the counter argument is that Audiogon has greatly expanded the high-end hi-fi market generally, creating much greater knowledge of and demand for new products and after-sales service from all sources), so could it be that they have exerted pressure on the magazines to keep quiet about Audiogon? It is also the case that the hi-fi rags get taken to task a lot in Audiogon threads (sometime fairly and sometimes unfairly, in my opinion), so this may be a reason why we don't hear about Audiogon in the magazines. Lastly, are the mags incompetent and have just missed the story? For whatever its worth, I know that Audiogon has advertised in one (perhaps both) of those magazines.
I let my subscriptions to TAS and Stereophile lapse last year, so perhaps they have treated the subject and I have missed it? If the subject has not been treated, does anyone know whether any B-school has done a case study of Audiogon's affect on the industry? If yes, I'd love to see it.
Perhaps Kal and others associated with the magazines have some insight that they would care to share?
Please temper your comments so this thread does not get pulled.
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- 18 posts total
- 18 posts total