At the least, "warm" means that the sound is not shrill or harsh. Most anyone would consider that great news. But beyond that, the meaning seems to depend on writer / speaker and the situation. A system that portrays the beauty of midrange, such as female singer or sax, can be described as warm. But "overly warm" suggests that details are being sacrificed in exchange for presentation of a sound that is pleasant, but lacking in realism.
For many years, it seemed that most transistor gear had a harshness or graininess to it, and so "warm" was a welcome relief from this problem. Todays best systems seem to sound realistic without being either grainy or overly rich or colored ("warm"), and hence this term can had positive or negative connotations.
For many years, it seemed that most transistor gear had a harshness or graininess to it, and so "warm" was a welcome relief from this problem. Todays best systems seem to sound realistic without being either grainy or overly rich or colored ("warm"), and hence this term can had positive or negative connotations.