SACD WINS!

Oh perfectimage, such a loaded question. I don't know what this will bring but here goes. NO, nothing is like vinyl. I say that with all respect of the quality of sound one finds with a "good" set-up. SACD is clearly different, but is much closer to vinyl than digital. SACD is it's own experience. Fantastic smooth, liquid highs. The slam of the base, and the pinpoint detail in the base is far different than vinyl. Midrange is as Rcprince so well detailed, closer to the tapes, wich tend to be dryer. I've found the SACD to be very very special. I quit listening to the vinyl once my player had over 300 hours. (I must admit I'm a digital fan from the '80s, so take my opinion as what it is, slanted) The depth and layering of the soundstage is very detailed. On Duke Ellingtons "Blues in Orbit" (a new favorite) the band is up front and immediate, the back up musicians are well behond on each side with each player defined. The studio is very much a part of this disk. SACD has proven to be excellant at discerning the enviromental information and creating the space. On Jacintha "Autumn Leaves" the color in her voice and the insturments are lovely. There is an air that completely incompasses the source. Color, my systm produces color within the tones. These are a crude attempt to discribe a feeling that is purly SACD, not digital and not vinyl.
I believe the quality of reproduction dollar for dollar my go the SACD. If you are talking altimate sound reproduction, cost what it my be, VINYL still wins, but not by much. J.D. (P.S. sorry my spelling sucks)

Excellent post, Jadem6. I can second all of his observations. SACD is not a "digital" sound as we're used to, nor is it the sound of vinyl. It is more the sound of the master tape, which in some instances can be a mixed blessing.

Thanks to both Rcprince and Jadem6 for their eloquent statements regarding master tape, vinyl, CD, and SACD. I know I learned a lot from the above few posts.

While SACD is clearly solid from a technology point of view, I think it will eventually disappear from the map, or at least be limited to a very small corner of the audiophile market.

For all of the bickering that has taken place in this forum and on other forums, I think everyone is overlooking the fundemental problem with SACD. The problem with SACD is that Sony is the driving force behind it. No, I don't think Sony is evil or ignorant. The problem is that Sony owns several major record labels and they want to charge the record labels that are not owned by Sony royalties for releasing product in the SACD format. No self-respecting record company or their parent corporation is going to pay royalties to their competition if they can avoid it. I would expect Sony labels to put out SACD titles and everyone else to put out DVD-Audio titles. Since Sony's share of labels is relatively small compared to the overall size of the market, I expect SACD to lose this battle.