Jazz At The Philharmonic: Best Of The 1940's Concerts
well, lets see, we have: Lester Young, Buck Clayton, Coleman Hawkins, Illinois Jacquet, Charlie Parker, Willie Smith, Roy Eldridge, Hank Jones, Ray Brown, Buddy Rich, Ella Fitzgerald, Nat 'King' Cole, Les Paul, Gene Krupa, Jo Jones, Billie Holiday, and company.
Why can one possibly say? The sound quality was very good, all things considered. It being live and the 40's.
Most of the soloing was great, and I felt like an 'Ellington/Gonsalves at Newport' moment would break out at any minute.
Ella was awesome and never sang one word of English or any other language. She is like another instrument in the band.
Billie was as good as any singer not named Ella ccould be.
The liner notes of this CD are very interesting. There seems to have been a little controversy surrounding the entire JATP thingy. Two excerpts from the liner notes:
"great storytelling is a matter of mastering structure and pacing, not divine intervention. In bringing the Jam Session to a mass audience, Granz robbed it of it's mystery, and some critics never forgave him for it."
"If people liked it, it wasn't Jazz. Jazz has a cult mentality and Cannot deal with mass acceptance without feeling like a whore."
I must do some research into the whole JATP thing.
Comments on the two quotes are welcomed.
Cheers
well, lets see, we have: Lester Young, Buck Clayton, Coleman Hawkins, Illinois Jacquet, Charlie Parker, Willie Smith, Roy Eldridge, Hank Jones, Ray Brown, Buddy Rich, Ella Fitzgerald, Nat 'King' Cole, Les Paul, Gene Krupa, Jo Jones, Billie Holiday, and company.
Why can one possibly say? The sound quality was very good, all things considered. It being live and the 40's.
Most of the soloing was great, and I felt like an 'Ellington/Gonsalves at Newport' moment would break out at any minute.
Ella was awesome and never sang one word of English or any other language. She is like another instrument in the band.
Billie was as good as any singer not named Ella ccould be.
The liner notes of this CD are very interesting. There seems to have been a little controversy surrounding the entire JATP thingy. Two excerpts from the liner notes:
"great storytelling is a matter of mastering structure and pacing, not divine intervention. In bringing the Jam Session to a mass audience, Granz robbed it of it's mystery, and some critics never forgave him for it."
"If people liked it, it wasn't Jazz. Jazz has a cult mentality and Cannot deal with mass acceptance without feeling like a whore."
I must do some research into the whole JATP thing.
Comments on the two quotes are welcomed.
Cheers