"The requirement of the speaker is such that almost any amplifier driving it will have to have a fair amount of feedback to do so. This will cause the amp to be un-naturally bright. IMO this makes the speaker a poor choice as you will not be able to find an amplifier that will actually cause the combination to sound like real music."
B&Ws like those often tend to sound bright to me as well, but not always.
I'd compare those to my OHM Walsh speakers, which has impedance drop just below 3 ohm in teh mid bass region based on measures I have seen, but seldom ever sound naturally bright. There a single Walsh style driver does most of teh work up to 7khz or so. There is no driver efficiency mismatch issues to deal with in teh case of the OHM CLS driver. I suspect that might be part of the reason.
MY Bel Canto Class D amps use feedback as well. Brightness and/or fatigue is a non -issue.
I auditioned modern Quad ESLs prior to trying the OHMs. They were a reference standard for me as I heard them in every area except microdynamics. The OHM sound resembles that ES sound with the right amp + the macrodynamics one associated with a traditional dynamic driver.
B&Ws like those often tend to sound bright to me as well, but not always.
I'd compare those to my OHM Walsh speakers, which has impedance drop just below 3 ohm in teh mid bass region based on measures I have seen, but seldom ever sound naturally bright. There a single Walsh style driver does most of teh work up to 7khz or so. There is no driver efficiency mismatch issues to deal with in teh case of the OHM CLS driver. I suspect that might be part of the reason.
MY Bel Canto Class D amps use feedback as well. Brightness and/or fatigue is a non -issue.
I auditioned modern Quad ESLs prior to trying the OHMs. They were a reference standard for me as I heard them in every area except microdynamics. The OHM sound resembles that ES sound with the right amp + the macrodynamics one associated with a traditional dynamic driver.