I beleive the ONLY sonic advantage of monitors over floorstanders has been in the imaging department and the ''vanishing act'' of speakers when trying to locate them in the dark. However, with many floorstanders being very narrow (slim) when looking at them from the front, dispersion is optimal and you get the benifit of monitor-like imaging. Size-wise, they do not take any more room than monitors on good stands (which tend to be of the heavy-bulky variety for best sound) and of course you get the low-end bass information down there when it's on the recording. The quality of this low-end of course depends on the quality of the speaker and the speaker enclosure, but generally speaking, I gave up on monitors long ago. The really goods ones are expensive enough that I feel going to a quality floorstander is a better route. This is what I did and do not regret it one bit. Cheers!
Can a monitor sound like a floorstander??
Don't know if I should put on a flame suit before I ask such a question..but is there? Classical music is my preference and I'm currently using Focus Audio FS688 monitors- they're very good at what they do--obviously better for chamber music than orchestral. I've heard that the Harbeth monitor 40's are great, but they are about the size of a floorstader. Can one get full sounding classical music through a speaker like Sonus Faber Guarneri, Dynaudio C1, or is a floorstander really the only way to go with classical music. I can really only bring my speakers out @ 3feet from the wall. My equipment is:
Ayre V-5xe
BAT VK51-SE
Ayre C-5xe
Running Springs Jaco power conditioner
Thank for your help and suggestions!
Ayre V-5xe
BAT VK51-SE
Ayre C-5xe
Running Springs Jaco power conditioner
Thank for your help and suggestions!
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- 37 posts total
- 37 posts total