Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Today's Playlist:

Dorothy Donegan -- Dorothy Romps (a piano retrospective 1953-1979)

Frogman, check out this left hand playing!
She lives up to the name on the CD. She Romps!! She does it all, Boogie-Woogie, Stride, Blues and Bop. The booklet that came with the CD is excellent reading.
She was quite an independent woman / player, which didn't set well with the Jazz old guard. She being a woman and all.
George Shearing refused to share a billing with her. Oscar Peterson would, only if she used his trio. But interestingly, both Ellington and Basie INVITED her to play with them. I guess class does always tell. Did I mention she plays boogie-woogie? I love it.


Hampton Hawes -- Hampton Hawes Trio Vol. 1

with / Red Mitchell on bass, Chuck Thompson on drums
Very fine piano playing. Hawes is supposed to be a West Coast guy, in the coast wars. A coolster? I think he is just a fabulous piano player.

His music is intricate, but accessible, the ideal situation in Jazz. His playing is a joy to listen to and follow. OJC recording so you know it's good.


Lena Horne -- Being Myself

Lena was 81 when this was recorded. Her voice shows her age in any objective, technical evaluation. But, in an emotional sense, she is right on target.
All the tunes are standards. If you want her at her best, get her much younger. But if you can visualize her, or know anything about her, this is just fine.

I read a story about her once. She was at a Military base performing during World War ll. The audience consisted of Black G.I.s and German prisoners of war. Of course, due to the prevailing 'conditions', the Germans were seated up front. Lena promptly left the stage, walked back to the first row of Black soldiers, and began to sing! With the uber alles boys at her back.
In the 1940's that took guts. Esp for a woman. A black woman. In show business. Where her livelihood, depended on the whims of others.

This is her last recording. It's important to me, because she was
Such a beauty! Such a talent!! And a Great and Brave American! I am glad she did this CD. Glad it's on Blue Note. And I'm glad to have it.

BTW,
She looks 35 on the CD cover!

Cheers








While Paquito wasn't "Afro Cuban", it was still music that had a Cuban flair, and I'm thinking about ordering it.

Dorothy Donegan's "Boogie Woogie" was historic and interesting as well.

Say "Lena Horne", and I think "Stormy Weather"; yes she was very beautiful. Sunday must be a good day for nostalgia, because I've enjoyed this trip down memory lane.

Enjoy the music.

"A Night In Tunisia", from the LP, "The Cooker" by Lee Morgan, has to be the most fantastic version of that jam ever. It features Lee Morgan on trumpet; Pepper Adams, Baritone sax; Bobby Timmons, piano; Paul Chambers, bass; and Philly Joe Jones, drums.

Pepper Adams is to the baritone sax what Lee Morgan is to the trumpet; the best ever, according to aficionados. Pepper blew on this jam like there would be no tomorrow, and he had to get every last note in that he was going to ever blow, on this jam.

Although it was headed by Lee Morgan, everybody gave Pepper the floor cause "He wanna blow now". Even Gabriel and the angels had to stop and listen. "Blow your horn, Blow your horn", that's what Gabriel said. "I can't wait to get some more Pepper Adams and Lee Morgan", that's what Orpheus said.

Enjoy the music.
Rok, thanks for the Andrew Davis link. No, I had not seen this, and he does a great job of dissecting (in a good sense) Berg's "Lulu". It is always interesting to hear how a composer may have first conceived the music on the piano before orchestrating it as it is more commonly known; while it may lack the complexity of the orchestral colors, there is a wonderful directness about it.

Great call with Dorothy Donegan. What a pianist! Speaking of directness in music, lack of pretense, personality, whatever one wants to call it, she had it. There was something really infectious in her playing; a good dose of show(wo)manship, but also a sense of sincerity. Check out how she ends the tune at 2:16. Gotta love it!

http://m.youtube.com/watch?v=D-JlF3cC538&feature=plpp