Ralph/Atmasphere has made the point in a number of past threads that a major reason SETs are commonly perceived as having especially good dynamics relates to how their distortion varies as a function of signal level.
With most push-pull amps, once output level falls below some number of watts (often measured in single digits, I believe), distortion will rise as the level decreases further.
With SETs, on the other hand, distortion will continue to progressively decrease as output level decreases, until it becomes vanishingly small at very low output levels. While distortion will progressively increase as the output level approaches the amplifier's maximum power capability. Since as Ralph has said our hearing mechanisms utilize certain distortion components as loudness cues, that kind of variation of distortion as a function of signal level will maximize the perceived contrast between high volume notes and low volume notes. Also, the vanishingly small distortion at low signal levels will enhance resolution of low level detail.
Makes sense to me. Best regards,
-- Al
With most push-pull amps, once output level falls below some number of watts (often measured in single digits, I believe), distortion will rise as the level decreases further.
With SETs, on the other hand, distortion will continue to progressively decrease as output level decreases, until it becomes vanishingly small at very low output levels. While distortion will progressively increase as the output level approaches the amplifier's maximum power capability. Since as Ralph has said our hearing mechanisms utilize certain distortion components as loudness cues, that kind of variation of distortion as a function of signal level will maximize the perceived contrast between high volume notes and low volume notes. Also, the vanishingly small distortion at low signal levels will enhance resolution of low level detail.
Makes sense to me. Best regards,
-- Al