Unable to audition used speakers a problem

I like Unclejeff's comments about qualification. Why not apply the same considerations we use to filter on line prospects to the evaluation of local suitors? Feedback should certainly come into play as well as knowledge and comportment.
You can stop by my house for an audition anytime, Unclejeff.

Interesting discussion and good points made by both buyer and seller. I'm actually looking for another pair of speakers and would like to buy used (and local) and being as such would appreciate hearing said speakers, but if that's not possible, at least being able to actually physically examine the speakers before purchase. Now I do understand from the seller's point of view about "tire-kickers", "strangers coming to house", issues. One thing I've thought about offering to a seller is a "non-refundable" audition fee ($20 or so) to cover the seller's inconvenience for "unboxing" and setting up the speakers for audition, and this fee would be sent in advance of the audition. If I actually do buy the speakers, then the fee would be applied to cost of the speakers. If I didn't buy, then at least seller has gotten something for their time and efforts, and no doubt, this would help get rid of the "tire-kicker" crowd. Any thoughts on this approach?

Cleaneduphippy:

Whatever works for a specific seller/buyer pair.

By circumstances or temperament, some people may welcome serious auditioners and the opportunity for audiophile chat, while others (or their families) may find the imposition too much. I have been in both situations.

Your solution is somewhere in between. I see no harm in proposing it in your communications, whether you are a buyer or seller.

BTW I would also consider it fair if dealers demanded an audition fee like this. That would take away the sting of demonstrating to someone who then buys online.

Rockadanny, I have purchased more than a few pairs of floor standers and for all but one pair they've been local pick up. When selling them I have always insisted on pick up or delivery. Have yet to ship a large speaker. Damage is my primary concern.

Ozzy62,

You strike me as someone who puts little credence in the importance of front end equipment.

Incorrectly struck. Perhaps I was not clear in expressing that the front-end equipment, if properly engineered and built (such as my relatively inexpensive front-end: used Opera Audio Consonance Reference 2.2 CDP; Mapletree 2A SE pre; Van Alstine Ultra 550 Fet Valve amp), would likely not sound much differently TO ME than other similar gear built and engineered equally as well, compared to speakers. I assume (based on my experiences thus far, though I admittedly have not heard a great amount of equipment/speakers) that I would be more sensitive (liking/disliking) to different speakers than I would different front-ends. Should I never audition speakers anywhere else except for my room and with my own gear if allowed the opportunity? Of course not. I realize all of the variables involved. For example, one thing I would do to minimize variability would be to audition speakers at such a volume where room modes would not effect the sound. And as far as the front-end gear is concerned, I've offered to do what you've suggested - bring in some of my front-end gear. That way even the seller has an opportunity to hear different gear as well - perhaps a good time will be had by all.