Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Rok, c'mon now. With all due respect, you have a way of skirting the issues. What on earth does the fact that the discussion, at one point, veered into the area of the influences on jazz other than the African one have to do with anything? How does that lessen the fact that, yes, most of my recommendations are, in fact, rooted in the blues. There is strength in conceding when when one is mistaken. You are mistaken.

Kenny G a one hit wonder? I suggest you get your facts straight. He is the biggest selling instrumental recording artist (?) in modern times with record sales of more than 75 million !!!.

artist
I googled Kenny G. I cannot belive it. You are right. It's hard to believe there are 75, let along 75 million people, on the planet that would buy his stuff.

But it is interesting, that you know a lot about Kenny G! :) hmmmm get that duotones outta that CD player. You are busted!!!

I was wrong. Your recommendations have been almost as good as mine. And blues based. OK?

Cheers
And now for something completely different....

http://www.youtube.com/watch?v=QcOnbzq40pY

Notice the age of the Polish audience. Jazz is cool again.

Who wants to listen to Grandpa's music?
"Who wants to listen to Grandpa's music?"

Me.

I did notice how totally disinterested the audience was. Or maybe they were in a stunned stupor. Not Jazz. But, it could be Polish Jazz.

Cheers
@Orpheus - that's a nice story. By the way, I have never heard of a repairman who was not a musician - not all of them ex-professionals, of course, but all of them played something at some point, at least in high school. They have to be able to play test the instrument, after all, to make sure it is good to go. Many of the top brass repair guys around the country, the ones who work on the very high quality instruments, are still playing a little bit professionally too, as free-lancers.

As far as your question about how people pick who they play with, well, one person in the group is always the leader, who takes care of the business end of the group and is the person dealing with whoever is hiring the musicians, whether it is a group that plays together all the time, or it is truly a pick-up group, and he/she hires musicians he is familiar with, or come highly recommended, if they are trying someone out for the first time. Or the employer may go through a professional contractor, who hires a pre-existing group, or puts one together. I have done a small amount of that type of contracting work, hiring a brass quintet for a church for Christmas and Easter gigs. It is alot of work, especially when the church only tells you a few weeks before, and you are scrambling to find people and having to hire people you don't know, because everyone you do is already working (usually we are hired for such holiday jobs months in advance). Wouldn't want to do that full-time, but I have done it here and there. One of the first things many young musicians will do who want to get their free-lance careers going is figure out who these big contractors are in their area, and send them their resumes, etc.

Hope that answers your question somewhat.