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Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
orpheus10 OP
8,668 posts
 

For me, a person, and a person's music, are two entirely different things; at this time, it's necessary for us to make that distinction because I would like for us to get into current jazz, while at the same time we discuss past masters. If it's necessary to bring up an "incendiary" name for the sake of comparison of his music with other current or past jazz musicians, we must restrict that conversation to the music in isolation, because that's the way I see all music. When we want to talk about a person that's one thing, if we want to talk about that persons music, that's another. Is this possible? If not, let's just forget it.

Barbara Dennerlein is a new interesting artist who I've not heard before now, I think her group has the "dynamism" that Rok's referred to. I like her energy and style, I see a diamond in the rough.

http://www.youtube.com/watch?v=fa-nKS89ATI

Enjoy the music.
orpheus10 OP
8,668 posts
 

Fight! Fight! I love a good brawl; Rok versus Frogman, that even sounds like a thriller. Rok said Johnny Smith didn't have enough tension and dynamic range. Frogman said Johnny was perfect, and Houston Person had too much.

Before jumping into this brawl, I went back to you tube. There was Johnny on this beautiful LP cover with a full moon behind him, in front of a snow covered Vermont, and I can just picture the "ski trails". His guitar, and Getz smooth tenor sax have me gliding down those ski trails on a moonlit night; all of this captures the song. In totality, this ranks with the most perfect "Moonlight in Vermont's" I've ever heard.

Frogman wins by a TKO.

Rok, if you changed the name to "Groovy times in Vermont" or "Groovy Times at That Church in Vermont" ( that sanctified yell by Joey on organ took us there), you would win by KO. Better luck next time.

Enjoy the music.
rok2id's avatar
rok2id
7,822 posts
 
******Frogman wins by a TKO.*******

Curses, foiled again! I was robbed! Rematch?

O-10, as usual you have restored order and reason.

Cheers
rok2id's avatar
rok2id
7,822 posts
 
O-10,
I had to laugh out loud at your Miles Davis story. I could almost see it.

Cheers
rok2id's avatar
rok2id
7,822 posts
 
O-10:
One last VERMONT comment. I feel you and The Frogman might be putting too much emphasis on the name of the tune. I don't think of Vermont at all. You gotta name it something. Something people can easily remember and relate to.

Which brings up the question: Why and How are Jazz tunes named?

Cheers
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