Why are hi-end active monitors not more popular?

Part of the reason that audiophil community does not aware of the benefits of active studio monitors that profirms are offering far less retail margin to their dealers as it is accustomed in the high end retail sector, at least this is my experience. High end retailers stuck to sell high-end priced boutique components with huge margin to make their living - which is, I think, a far act on their behalf.
There are so many high priced and highly coloured systems, which are providing nice, musical, wet, technicolor, etc sound. I think part of the problem, that very few people actually goes to concerts, and even more, that they accept the fact that at home impossible to reproduce accurate sound of live event-so they go for one coloration among many compromises.
What is fantastic in studio equipments, that they really designed to produce accurate sound as much as possible. I have a studio monitor, designed in the late seventies. It is so closer the sound of "raw" concert ( and I listen almost exclusively classical music) than the nice, polite,musical sound of my earlier more expensive system with audophile spekaers, amplifiers and bunch of highly expensive cables. Even my friends, who come to listen to blues and rock music are amezed that my relatively inexpensive system could provide such a dynamic and powerful sound with body and warm without giving compromise to transient speed. That is mostly due to the combination of three way model (including 30cm woofers) actively driven by 3 inbuilt amplifiers. There are many good solution around, but I think, the best and most effective way is to have active monitors.

Ajahu,
You make a great point - In the pro gear market, discounting is not as readily expected or accepted as it is in the consumer market. The customers have entirely different agendas in mind and are usually at a different stage of 'system development' when purchasing. Since this is generally understood on both sides of the transaction, pro gear might (might) have a 30% markup to allow flexibility at time of sale, where traditional hi-end (and especially esoteric) consumer gear may have as much as 60-80% markup with a 40% mean being fairly customary across the consumer gear board.

The mindset is just very different.
Good call Ajahu!

Cgh1,

Thanks for the post and the inquiry. I still have the PMC AML-1 monitors connected and have been listening to them exclusively since my last post. I am torn whether to sell the Genelecs (only 100 hours or so) and take a hit on what I paid for them or simply to keep them and set up another system in another room. I will likely sell them as my experience with 2nd and 3rd systems indicates that I have to be kicked out of my main room to consider the other rooms.

I am also experimenting with different dacs right now which is why I have not followed up with this thread....sorry if I left anyone hanging.

The PMC monitors are simply amazing. Listen to them if you have the chance. They are fairly rare so you will have to do some searching but they are well worth the search. One bit of information for all of us is I am beginning to see some price increases on foreign made gear due to the extraordinarily low value of the US dollar. Anyone else? If AML1s end up exceeding $10,000 US per pair due to the exchange rate, that would really make them hard to find.

Good luck to all.

there is some basic psychology that is being overlooked.

people do not liked to be told what to do or have their options restricted. thus, someone may like a speaker but not the amp that comes with it. perhaps the designer supplies a ss amp and the buyer wants tubes.

i think manufacturers do not offer powered speakers because they may be speaker designers and realize that audiophiles already have amplifiers or do not want to restrict the performance of a speaker to what would be achieved by one amp.

the powered speakers are the exception for good reason.
it is rare to find a powered panel speaker.

Other things being equal, active speakers do have advantages. If designed properly, the amplifiers are optimized for the speakers and active crossovers have various advantages over passive crossovers: in particular better control over the woofer and superior dynamic range.

But other things are rarely equal; that is, there's not many models with the identical drivers and cabinets that come in active and passive versions. And that means when we compare active and passive speakers, we are rarely just judging the difference between active and passive; we're almost always also judging different drivers and cabinets as well.

Plus most active monitors only accept balanced inputs, which, again, restricts the types of preamp you can use with them; this alone reduces their attractiveness to listeners.

Having said that, I've got a pair of active Tannoy monitors (AMS-12A) with which I'm very satisfied: 12-inch dual concentric driver, electronic crossover and two 180 W rms amplifiers in each 70 L cabinet. They're certainly an order of magnitude better than the passive version (System 12 DMT II).

But, again, even in this case, the active version uses slightly different drivers and cabinets, so it's still, to some degree, a case of comparing apples and oranges.

The best way to do a fair comparison between active and passive speakers is to listen to a pair of speakers passively and actively biamped. But that has its own complications: few off-the-rack active crossovers, even expensive ones, offer the same topology as the manufacturer's passive crossovers.

Cheers,

Joel.