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Looking for speakers with soundstage depth

I guess that's what it's called. There have been some really nice speakers in my system over the last few years including Vandersteen 2CE signatures, Meadowlark Audio Kestrel IIs, Revel Performa M-20s and a few others. The Revels were the most accurate speakers I've owned but when I pulled my trusty old Kestrel Hot Rods out of the closet I was once again caught by there very natural and fun to listen to sound. Even though over the past four months I've had numerous "never heard tha in there before" moments with the Revels, I sold them.
What the small, unassuming Kestrel HRs give me is a 3 dimensional soundstage that none of the other speakers could match. It was also the first time I had hooked them to the Bel Canto eVo2i which was an eye opener. BTW, I'm pretty much convinced it's the coherent time alignment that contributes the effect.
So my question is what speakers under 2K (used) will provide what I'm looking for? The newer Thiel 1.6 or Thiel 2.3 might do it. Maybe something like a pair of Magnepan 12s?
My room is small but well treated. Any suggestions or should I just stop looking? Thanks.
timrhu
timrhu OP
2,779 posts
 
RW, that is a very generous offer. I live in Indianapolis though.
Pubul57, when I had the 2CE sigs they were in a room that way too small. I could never get them to sound right. In fact I also owned a pair of the 1Cs at the same time to compare and because of the room I preferred the 1Cs. Strange I know but the room is important and that's why I am looking for a small speaker. The 1Cs could disappear in the same way the Kestrrels do. The 2CE sigs never did in my room.
Right now I am listening to the Silverline SR-11s. They image very well but don't have the tone of the Kestrels. They aren't broken in yet.
I think I'll take the advice concerning position adjustment while I'm waiting. Actually, I believe I could live with the Kestrel HRs for quite awhile.

I will experiment with minor positioning adjustments as
mingles
796 posts
 
Tim, I had an experience recently you might be interested in. I picked up a pair of speakers that were quite a bit larger than my previous set. The bass was overwhelming which really clouded the midrange and skewed the whole presentation. I knew the speakers needed to be away from the walls being dipoles, so I fumbled around for a while trying different positions, but it wasn't until I followed Cardas's Golden Rule that everything snapped into focus. The boom disappeared, the midrange became natural and the imaging was killer.

I realize that near-field listening isn't going to work for everyone, but if you haven't tried it, you should at least once. The stereo effect is stunning--especially with dipoles. But more importantly, following the Golden Rule minimizes room resonances which results in better acoustics. Read all about it here:

Setting Up Speakers In a Rectangular Room by George Cardas

If you're hunting for soundstage and depth, I encourage you to check out a pair of Alon's. All of their models sound more like electrostatics than boxes. They disappear effortlessly.
mrtennis
3,295 posts
 
one of the factors in achieving depth is very high signal to noise ration.

when a recording features several instruments recorded at varying distances from the microphone. it is necessary to have a very noise-free stereo system in order to perceive the gradation in sound pressure between instruments.

while speaker placement and radiating pattern is important, too much noise may cover up the sound of an instrument in the rear of the stage.

being able to hear , for example, 3 instruments, varying from 5 feet to 20 feet from the microphone will create the sense of depth and perhaps elicit a term audiophiles use, layering. when you have a stereo system capable of depth you also may hear separation as well.

thus it's not just the speaker too consider, but also the rest of the stereo system to produce a noise-free signal
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dave_b's avatar
dave_b
3,159 posts
 
Amp, cables and room have just as much influence!
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