Sonus Faber Cremona Auditor old v new


Interested to hear from anyone who has traded up from the original SF Cremona Auditor to the Auditor M. What are your listening impressions, original versus new?

Bob R
rmrobinson1957
Everything I am reading is most interesting. I guess everybody hears something different altogether due to inherent component variables. i.e. electronics, speaker cables, interconnects, power cables, line conditioners, AC power feeds, dedicated circuits or not, circuits feed by high quality 6 nines copper or Romex, HI-FI fuses, room acoustics or lack of, shapes and sizes of rooms, different types of isolation to the front end or the amp, equipment stands, current, power quality off the pole, or if using batteries, i.e. Jeff Rowland, SET-UP is most important, street noise, house noise, kid noise, whether trying to integrate a woofer or not, reflections, component synergy, whether the equipment is broken in, listening in your home vs. the store, what house or structure is built out of, is the floor sound/solid, carpet, throw rugs, hardwood, windows. As you can see it goes on and on and on. No one except for people doing this for a living can really get close to optimizing the sound of their equipment thru trial and error. Although, because of the massive amounts of variables and even though some people have immense experience in understanding these variables and have great ears and maybe they are musicians they still view the sound of the music through equipment in a personal way. Hardly ever have I heard everyone agree that the sound of any given piece of equipment being placed in a given set of variables to sound fantastic. It seems that someone has a different opinion.
Being a musician and hanging around musicians all the time and knowing the sound of live music and knowing that most musicians don't have high end electronic and don't need them, especially acoustic musicians I have found that most musicians don't particularly care for bright forward sound that lacks bass, nor do they much care for super articulate digital sound that lacks life and body. Moreover most guys that know like sound that is somewhat rolled off if you will, with a full range sound, definitely a sound that low end, it doesn't have to go down to 20 cycles it can be down to 35 or so but at least that. Full rounded harmonic tubey musical encompassing sound is more what live sound is, what is not is super clear and perfect, that is hardly music.
What I have found over the years is that the builders of high end electronics and speakers and waxed and wained between building these goodies to sound somewhat bright and forward/edgy unforgiving to full, wonderful bassy reall music. i.e. sound you hate to sound you actually enjoy. Most high end electronics today produce a highly refined hard to listen to sound unless of course you buffer the equipment with all different kinds of cables that either add or subtract from the highs or lows and everyone does everything in their power to alter the inherent sound of the equipment with something else. What is that about. My idea of a system is one that actually works within itself in a more or less simple set up. Not to say the electronics have to be cheap or ultra expensive because a combination of both can work just fine. The idea is to listen to what sounds good to you, to your ears and leave it at that. A person should know pretty quickly if they like what they hear. I may add if it sound to spectacular at first it problem won't sound that good for long. All the hooplah around Wilson speakers is for the most part marketing, do Wilson sound good, if set up with the right electronics and cables, then yes do they sound the most musical, that is debatable. No electronic or tube music system will ever sound like a 1940 Martin guitar or a stand up bass that was built in the 1800's or a drums played by an experienced jazz drummer, the high hat or the snare, it is defacto impossible regardless of what your friendly neighborhood high end electronics sales person has to say, he likely doesn't really know. Maybe someone who actively plays in a a band and also sells analog equipment or may designs it and sells it knows, I am sure they use at least some tubes and really good records, even still when you or someone that hasn't heard this sound before hears it they say oh that sound flat or I can't hear the treble or something like that, but actually in fact that is the sound that is likely the most musical.
As far as the process, it is challenging to attain a musical sound, it is or can be expensive and wasteful. I believe to much money is spent on getting music into the house, especially musical music, sound worth listening to. Put it this way if your 3 year old or your 5 year old does not like it, it probably sounds like crap and you've been kidding yourself and spending thousands on sound that a 3 year old could care less about. To that end, I listen to the original SF Auditors and think they are more musical than the M and for the most part create a sound field that is listenable, are they perfect like my Martin guitar, no way, did I have to put some decent juice to them and high end cables and power conditioning, room conditioning, isolation to get them to sound the best I could get them to yep. Do my musician friend like the sound yep. So I am happy with my set up and it certainly was not easy to put together or cheap. Was it worth it money wise, I will let you know if I get thru this latest depression our country and the world is going thru. The last thing I want to blab about is that I built another system, yes yet another system in a second home, I installed built in wall and ceiling speakers from Sonance, nothing special, I used a older Marantz Receiver and a Sony blue ray players with some decent cables that I had laying around, in the end to we enjoy this modest system as much as the high end ones I own, YES we do and we saved a ton of money, in the end we found that we didn't need to buy Wilson or Vandersteen or Verity or Kharma etc. to get musical sound, in fact in most of the systems I heard this simple deal I put together with leftovers and Sonance inwall speakers and saved and saved I am overall happier that I heading in a direction that makes more sense than not. and who knows maybe my kids will actually get a helping hand when they go off to college instead of me thinking I need to buy a 40K front end or a pair of 28K amps and 70K cables from Transparent or Tara what the F, are we all out of our minds, be happy with some simpler things, thats what I am going to do after all the crap I have been thru with my favorite hobby. If you can't beat them one sure as hec better join them. I don't mean to offend anyone with this thread, I guess I will have another cup of tea and consider what I don't need today and be happy with what I have.
What a wonderful wacky world we have all stumbled into.Like trying to describe fire to a blind man and trying to relate what we just heard to another listener.Never easy,usually futile,ultimately enriching.Yes,my friend,time for another cuppa,and Happy Holiday to those hanging around the musical campfire.Adieu,Bob
There is a review of the Cremona M's in the latest TAS, and Neil Gader comments favorably on the new M's. He also comments that in his small room, the speakers extend to the mid 20's in their frequency response (bass). This supports what Huskolf has observed.

Wonder why SF is so conservative in their specs when they claim a frequency response of 40HZ only.
Hi Pinkus,

Could you somehow mail me this review of the Cremona M? I'm very interested in the whole article. BTW I understand there's also a review of the Mystère tube amp. What's the verdict on that?
Funny how tastes and impressions differ. I own the original Auditor for some time now, I've tried different tube and ss amps, CDPs, interconnects and speaker cables. I never found them overly warm and laid back, quite the contrary, they provide an amazing presence and liveliness. In fact they even exaggerate a little in the higher mids that, depending on the recording, can add a slight harshness when played loud. You need to choose your amp, source and cabling *very* carefully in order to minimize this. If paired blindly with whatever electronics you will most probably end up with a fatigue problem or, in some cases, a dead and dull sound.

From what I read the new M version does not have that problem but sounds more hifi like instead. More air, more detail, more of that crystal clear sound many peolple like. That's reason enough for me to believe I prefer the original Auditors. Happy me, because I couldn't afford an upgrade anyway.

I've ended up with a Luxman L-505f, Meridian G08, Yter XLR ic and Van den Hul CS-122 speaker cable and the result is 98% perfect. The logical speaker upgrade would be a pair of Guarneri Mementos, not the Auditor M. Electronics that were the worst match of what I've tried: Electrocompaniet ECI-3 integrated, AudioNet ART G2 CDP, Kimber 4TC speaker cable.

Anybody who wonders which one to buy, the original Auditor or the Auditor M and does not have a chance to audition them both, keep in mind the following: It's easier to build a great system around the new Ms but the original Auditors might reward you with more emotion. If you succeed to find the matching electronics for your listening room. And that will take time and money.