Rok, just thinking about those days takes my breath away. Each and every one of those songs has a special meaning for me. I just can not believe that life was that grand once upon a time, but it was.
Enjoy the music.
Jazz for aficionados
I went on youtube to listen and watch the Brasil '66 babes. there off to the side was Ella doing 'Mack the Knife', had to hear it. In sweden I think. She even did a little Satchmo, hanky and all. Hell, she out Satchmoed the Satchmo!! And off to that side was Nina talking about some 'Sinnerman'! If would have been a sin not to dig it. You can stay on youtube all day if you aren't careful. Ella and Nina!! What planet were these people from?? Cheers |
Today's Trip: Dexter Gordon -- One Flight Up with/ Donald Byrd, Kenny Drew, Art Taylor, Niels-Henning Orsted Recorded in paris in 1964. All the players except the Dane, Orsted, were American expatriates living and playing in Europe. The playing is exceptionally enjoyable. Only four tracks, so the soloist can really stretch out and take the time to state their case. All the music is mid-tempo and very lyrical. The Frogman would have a field day breaking down these solos. Makes me wonder that maybe a lot of other Recorded Jazz was too much, crammed into too little time and space. The liner notes were written by Leonard Feather. His style is what I would call Frogmanesque. Sort of technical, but very interesting. There are a few statements in the liner notes that irritated me. The players say that European audiences had a very special insight into Jazz. After all that goose stepping, I find that hard to believe. And that the place was "almost completely free or racial prejudeice". I guess they had not heard of World War Two. The cover photo is one of the most interesting in Jazz. Which is another thing we have lost, the Great Blue Note black & white photos. Just as audiophiles have lost the great cartoons of Rodriquez. All in All, a very good session. Highly Recommended. Cheers |
Rok, no question Brazilian singers are uniquely wonderful; in no small part because women Brazil are uniquely wonderful. There is something about the sound and rhythm of the language (in Brazil, not so much in Portugal) that does it for me. I could get carried away with that one, but I should stop; my wife reads these threads once in a long while :-) You mentioned Sergio Mendes. This is one of my very favorite records. Cannonball with the Bossa Rio Sextet (Sergio Mendes on piano). The session is all about Cannonball; he sounds incredible on those Brazilian tunes: http://m.youtube.com/watch?v=pWMjF4UMYYc As far as Brazilian female singers go, Elis will always be my favorite. There is something about her that I have never been able to put my finger on. Not a particularly great voice, a little out of tune sometimes; but, soulful as hell with a great sexy feeling in the way she sings. Check out the "break" at 1:10. Amazing! http://m.youtube.com/watch?v=bGbKHHqtsJE |