Is my preamp useless?


I enjoy my current system, which is built around a BAT VK-52SE preamp. I listen mostly to digital, via a Bryston BDP-2 player into a PS Audio DSD. I also enjoy vinyl on my VPI Classic/Dynavector/Sutherland 20-20 combo. Like most of us, I’m usually on the upgrade path. For me, the next component to upgrade would be the BAT preamp from a 52SE to a 53SE. But something occurred to me. I don’t listen loud. The gain on my PSA DSD is set to less than 100 and the BAT preamp is usually set between -20 and -10. So if my volume control is never set in the + range, is my preamp doing ANYTHING other than attenuating the volume and serving as a multi-input switch? Is all that Super Tube, single gain stage, zero feedback, high energy storage circuitry a waste of money?

Don’t get me wrong. I am very pleased with the sounds I hear. But if my pre isn’t doing anything, then I’d be better off to sell it and get a very simple passive attenuator, wouldn’t I? If that’s the case, what brands and models should I listen to?
Thanks for any advice.
slanski62
As with anything audio, a LOT depends on personal taste and system compatibility, and therefore, comments about which types or models are good or not are just rough generalizations. I "tend" to prefer active tube units over the passives I have heard in my system and that of friends. I also like transformer coupling, which means that the linestage has a transformer at the output and the amp has a transformer at the input.

But, I have heard, and liked transformer-based passives too (Silver Rock). These sound vibrant, lively and deliver the kind of "dense" or saturated sound that I like. I also got to hear the Placette passive linestage (conventional resistor) and the active linestage in my system and preferred the active (I bought the active). My system is not ideal for passives, because of the requirement for a long interconnect between the linestage and amp.

In a friend's system, I heard a linestage built around a light dependent resistor passive. This was an ideal setup for a passive--short interconnects, low output impedance source and high input impedance amp. I liked the sound of the system, but, when we substituted a really nice tube linestage, the dynamics improved markedly. There were three listeners and we all agreed that the tube unit sounded better (including the owner of the custom-built passive unit).

Apart from the sound, some passives present practicality issues that should at least be considered before going that route. Many, particularly of the transformer variety, have too few stepped levels so that it seems like the ideal volume is always somewhere in between steps. To me, the steps should never be greater than 2 db, and 1 db is better. Most do not allow for balance control and most are not remotely controllable (getting the right setting matters a lot to the sound and instantaneous comparison
afforded by remote control is a requirement for that purpose).

There is a form of transformer-based passive that I have only heard briefly that may be of interest. It is one based on an autoformer (kind of transformer). There is a remotely controllable version from Bent Audio that gets around all of the practical limitations of such units--it is remotely controllable, has 1 db steps over a 70 db range and it can control balance. I have not heard it, but, it is based on the autoformer designed by Dave Slagle so it should be pretty good. If you are not technically inclined, you will need someone to custom build a linestage around the module you can purchase. The Bent Audio unit can be found at:

http://www.bentaudio.com/index2.html
Preamp does more than control volume and source selection. A preamp is also the heart of a good system. It manages the interface between source and amp and interconnects. Even so, the preamp can be a trade-off if not wisely chosen. Without a preamp you may gain transparency and detail but you may lose body, drive and dynamics.
You are right that the main function of a preamp nowadays is to attenuate the volume. It also provides better impedence matching for a wider range of equipment.

If you have powerful amps it will be a safer possibly avoiding the thin and weak sound.

Being that you are using a BAT tube preamp, it is very possibly addding colour, warmth and ambiance.

I have just added an LDR resistor passive preamp which is impedence adjustable. Eliminating the impedence mismatch problem. I found setting the impedence higher by a few will make the sound very clean and lacking some warmth.

All in all, i can live with it and sounds very good, well maybe slightly less 3D sounding but very very good. It replace a good tube preamp with upgraded teflon capacitors etc costing itself, more than the passice unit. Without these mods, i am certain the accuracy, bass etc for a passive LDR preamp is superior! Stock tube preamps bass is almost always more wolly and adds a little flavour.
A preamp does these things:
1) provide volume control
2) provide any needed gain
3) provide switching for various sources
4) control artifact from interconnect cables.

Of these the last is the least understood. Since you don't need any gain my recommendation is a buffered volume control. This is a passive control that has buffering circuitry with no gain that allows the control to work properly without artifacts being generated by the interaction that typically occurs between the volume control and the interconnect cable driving the power amp.
Thanks again for taking time to respond everybody. Looks like I have a lot to learn!