Is my preamp useless?


I enjoy my current system, which is built around a BAT VK-52SE preamp. I listen mostly to digital, via a Bryston BDP-2 player into a PS Audio DSD. I also enjoy vinyl on my VPI Classic/Dynavector/Sutherland 20-20 combo. Like most of us, I’m usually on the upgrade path. For me, the next component to upgrade would be the BAT preamp from a 52SE to a 53SE. But something occurred to me. I don’t listen loud. The gain on my PSA DSD is set to less than 100 and the BAT preamp is usually set between -20 and -10. So if my volume control is never set in the + range, is my preamp doing ANYTHING other than attenuating the volume and serving as a multi-input switch? Is all that Super Tube, single gain stage, zero feedback, high energy storage circuitry a waste of money?

Don’t get me wrong. I am very pleased with the sounds I hear. But if my pre isn’t doing anything, then I’d be better off to sell it and get a very simple passive attenuator, wouldn’t I? If that’s the case, what brands and models should I listen to?
Thanks for any advice.
slanski62
"Does it mean that all these highly regarded active preamps also have not been designed properly? So which one would you say is wrong: cables or active preamp?
Milpai (System | Reviews | Threads | Answers | This Thread)"

Neither is wrong. Audio components are usually designed with the understanding that they will be used in a wide variety of systems. Its impossible for any designer to make products that will be optimal in all systems. It just can't happen. That's why there's nothing wrong with the cables or the preamp. They just can't work for everyone in every situation.

Just to give an example,
A 10kohm passive preamp which all solid state sources can drive, has a worst case 2.5kohm output impedance.

In the worst case of 2.5kohm, this passive preamp driving reasonable quality interconnects of 100pf per foot at 2mts long will give a high frequency roll off at -3db @ 106khz!!!

And with just one meter interconnects it is -3db @ 212khz!!!

And this is interconnects of 100pf, if you get good quality ones that are 50pf per foot, the HF roll off point off doubles again
To -3db @ 212khz for 2mts!!
And -3db @ 424khz for 1mt!!

As you can see only dogs and bats can hear this kind of HF filtering.

Cheers George


Here is the graph of a 10kohm passive output impedance.
On the left (vertical axis) is it's output impedance, for the given volume resistance (horizontal axis).
As you can see at half volume rotation it is at the worst 2.5kohm output impedance, either side it's output impedance is lower.

http://i.stack.imgur.com/cVUCc.png

Cheers George
I'm using my PS Audio Direct Steam with a BSG QOL unit (awesome) into a Pass Labs X350.5 Amp.

The BSG QOL unit provides added gain and so much more texture than when I used my former Pass Labs Preamp.

I use the PS Audio Direct Stream volume, and it usually runs between 60 and 65. With the PS Audio High filter engaged, the volume on the PS can run in the high 90's.
However, I prefer to run it without the filter with the volume in the 60's.

The BSG QOL also provides added analog inputs and outputs.
One of the inputs is used for my Denon Home theater pass through in which the Denon controls the volume while playing Blu Rays from my Oppo.

The BSG QOL also has dual analog outputs in which I run my dual JL F113 Subs.
An active pre-amp plays a big part in how a system sounds. It serves as an analog signal processor in a sense in that how all sources used actually sound are affected.

So if you like the sound you gotta give the pre-amp some credit for that.

The option is to take it out and see how each source sounds and perhaps then tweak with that to get the sound you like again.

Either way can work well. If you like teh sound out of teh active pre-amp you have, then be grateful to it for that. It's far from "useless". Unless you try something different that works out even better. Then you might consider putting it out to pasture but still give it its due accolades for a job well done.