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Dynaudio or Ohm?

I’m close to purchasing a pair of Dynaudio Focus 260s except I keep finding threads about Ohm speakers which have me intrigued.
I’m looking for anybody who’s familiar with the Dynaudio Focus sound and has owned a pair of Ohms.
My living room is 16’ x 14’ x 8’ and has a side wall with an opening to the dining room. It is very well damped and acoustics are very good; I listen nearfield about 8’ from the speakers. (I would need the T-2000). The components in my system are:

ARC CD3 MKII
Rogue Perseus Magnum with Mullard Longplates
Sunfire 300 amp
Purist Aqueus Luminist speaker cables
Cardas Parsec ICs

The attributes I find so appealing with the Focus 260 are clarity with smooth highs and a liquid midrange, wide soundstage, transparent with a touch of warmth, and deep detailed bass.

The concern I have regarding the Ohm are the overwhelming reviews of the disappointing or only “adaquate” build quality.
I listen to 90% Classical, so I do like hearing what people have to say about the sonics of these speakers; eg, soundstaging and imaging. I just wonder if they are in the class of the Dynaudio; by that I mean are these speakers that people hold on to for years as they update their electronics, or do they move up to higher end spkrs after a couple of years.

I’d like your input before ordering a trial set of Ohms; I’m finding it hard to believe they measure up to the $5000 Dynaudios.
Any advise is appreciated.

128x128lowrider57
mapman's avatar
mapman
22,198 posts
 
Both of my OHMs (100S3 and F5) are older refurbed cabinets with no plinth underneath.

Floor interactions are not unqiue to bottom ported OHMS butsomething to take into account.

I use Auralex Subdude isolation platforms under my 100s to manage floor interactions with a floor similar to yours.

FWIW floor interactions proved to be a similar problem for me with other conventional monitor speakers on even heavy quality spiked stands in other rooms on that floor as well, so an issue to get a handle on but not necessarily unique to OHMs. I use isoacoustics pro monitor stands under my small Triangles in that other room and those turned out to be the only stands that worked well enough in there.

Nothing needed under my large F5s in teh basement on carpeted concerete foundation, which served as my reference for getting things on teh upper level under control.

In the end I learned that managing floor interactions is a big key to getting the best sound.

Of course there are many factors that affect room acoustics, floors being only one of them, so each case will be unique and may call for a different approach or in some cases even nothing special at all.

New OHm Walsh cabinets have a plinth built in underneath whereas neither of my OHM Walshes do so that should make for some difference. Others might be able to comment further on those.
martykl
3,578 posts
 
Most of the main issues have been covered here and I don't really know Dynaudio. So, forgive me if this is a bit redundant, but at least it's one more data point for you...

I use Ohm 100s and I'm pretty sure that the spatial presentation will be the make or break issue for most listeners. That's not possible to qualitatively recommend to anyone - you just gotta hear it for yourself and make a call.

The 100 is close to dead neutral IMO and has limited deep bass capability. Further, like a lot of modestly sensitive/efficient loudspeakers, dynamics can be understated at modest listening volumes. The net effect is a "polite" presentation at low SPL. I use a pair of subwoofers with my Ohms which seems to help address all of these issues. As a true full-range system (integrated and crossed in the digital domain via Audyssey), this is IMO a ridiculously good sounding system for the $.

BTW, I also own SF Cremonas, Verity Parsifal/Encores, and Merlin VSMs (as well as Maggie MMGs for use with the same subs as the Ohms). The Ohm/sub system is my loudspeaker of choice for 80% of my listening and 100% of my orchestral listening. FWIW.
lowrider57's avatar
lowrider57 OP
5,417 posts
 
Martykl, the fact that your Ohm's SQ can compete with your collection of such fine speakers says a lot. (btw, I believe Merlins use Dynaudio drivers).
It's also good to hear another recommendation for listening to orchestral music on the Ohms.

I'm thinking the T-2000s in my room should supply an ample amount of bass.
Your post is much appreciated.
zd542
5,339 posts
 
I don't think anyone brought this up yet, but with qualities such as imaging, staging, level of detail, bass, and what ever else you are looking for, your choice of electronics is equally responsible, if not more so, than the speakers. You can take a normally good imaging speaker and if you don't match it to the right electronics, you won't get those qualities. The speaker may be able, but you need well matched components to get the best from them.
lowrider57's avatar
lowrider57 OP
5,417 posts
 
Zd, that is very true; I think it was mentioned early on. I feel that my electronics are up to the task. I've worked on creating a low noise floor with a Blue Circle Thingee FX2 PC, Blue Circle Power line filters, Furman PC, Audience PowerChords, and Purist Audio Aqueus Luminist speaker cables.

My modest system; ARC CD, Rogue Pre, Sunfire 300 has a synergy that currently creates a warm, wide, deep soundstage with deep bass with my PSB Synchrony Twos. I get terrific separation of instruments, but the overall system lacks some detail, a smooth midrange and transparency. This is a known weakness of these speakers. As I said earlier, a later upgrade will be the preamp.

Thanks to all the good advice, taking the plunge into purchasing the Ohms sounds like a safer move than going for the Dynaudios.

Thanks for your post.
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