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Eminent Technology ET-2 Tonearm Owners


Where are you? What mods have you done ?

I have been using these ET2's for over 9 years now.
I am still figuring them out and learning from them. They can be modified in so many ways. Bruce Thigpen laid down the GENIUS behind this tonearm over 20 years ago. Some of you have owned them for over 20 years !

Tell us your secrets.

New owners – what questions do you have ?

We may even be able to coax Bruce to post here. :^)

There are so many modifications that can be done.

Dressing of the wire with this arm is critical to get optimum sonics along with proper counterweight setup.

Let me start it off.

Please tell us what you have found to be the best wire for the ET-2 tonearm ? One that is pliable/doesn’t crink or curl. Whats the best way of dressing it so it doesn’t impact the arm. Through the spindle - Over the manifold - Below manifold ? What have you come up with ?
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dover
2,247 posts
 
Frogman -
One interesting experience I had years ago was when a friend played a Phillips reissue of a Mercury Living Presence recording that I had. I could not believe it was the same recording, the reissue being very slow and ponderous. After investigation the only difference was that the tonal balance had been altered in the reissue.

In terms of correct tonal balance I only use MIT Oracle cabling in my system - the gains in accurate fundamentals and harmonics over other cables ( assuming you have a decent system to start with ) are evident to my ears. Here is a very interesting video on the subject -
https://www.youtube.com/watch?v=bgK87tmRVeY
dover
2,247 posts
 
Shubert -
I had an Audiomods tonearm with the VTA adjuster on a Verdier briefly a while ago and was quite impressed albeit with a Moving Magnet cartridge. Very easy to set up and adjust, same mounting as a Rega/Origin Live and reasonably priced.

When I had an hiatus from the ET2 due to springy wooden floors and the difficulty of wall mounting a 125kg turntable I decided to go to a unipivot, the rationale being that the unipivot bearing has much lower friction than conventional gimbal arms and would be the next best option. I had had unipivots before and they have good pace and timing in my view compared to gimbal bearing arms. Purchased a Naim Aro and can happily live with that as well as the ET2. Funnily enough Martin Colloms used the Aro on his Linn for the same reason - unipivots are less susceptible footfalls on sprung floors.
schubert
7,386 posts
 
Thanks Dover, valuable info !
As the floor of my small condo is also the 3 feet thick concrete roof of the underground parking my problem is spikes on speakers .
I was in Needle Doctor a while back whilst a Rega Exact MM
was playing classical in a most elegant and refined manner. .
bdp24's avatar
bdp24
9,816 posts
 
The discussion of a musician's sense of time brings to mind a singer whose timing drives me nuts, and you hear him at many audio shows---Willie Nelson. I don't mind a singer having flexible or elastic phrasing (pulling ahead of or falling behind the pulse of the band), but he jumps so far far ahead it creates anxiety!

By the way, when you hear a recording in which the drummer (or entire rhythm section) seems to be dragging, it's not necessarily of his/their doing. In doing session work, I have found many singers to have trouble "waiting" for the beat coming towards them while over-dubbing vocals to previously recorded backing tracks, and end up "rushing". Don't blame the drummer!
schubert
7,386 posts
 
Bdp24, is that called the Diana Krall syndrome ?
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