I currently use the Lore 2.0 [ti tweet, 10" woof] from Tekton - God didnt make this one. Its a mortal creation, imperfect. Its a high value [cheap] high efficiency large box that's not boomy and doing ok. Speaker reviews ARE LIKE SIZING UP A HORSE BY ONLY LOOKING AT THE REAR END. My view ie the Linn view: the speaker is always least important. The signal [front end] is most important. Every component downstream from the performance distorts and colors the initial signal, from the bow on the violin to the hall acoustics to the mikes and recording gear to the studio tape machines to the mastering to the plant to the cartridge then the tonearm and wire to the phono stage and then the ICs, then to the amp etc etc. By the time the signal reaches the speakers its been screwed with more than a model in high heels. So when a reviewer declares that some speaker is "great" without mentioning and factoring in the upstream components, hes doing little good, maybe more harm than good. Perhaps worse then a useless lame review if not falsifying. Speakers all color the sound and none can be designed to do otherwise. They also intentionally fall far short of "fidelity" to a recording, which has already fallen far short of a live performance, so whats the right criteria for gear reviews then? There is no such thing as right criteria! Had quite a few speakers and amps and preamps etc, tube and SS. Tape, vinyl and CD. Been there and back. I have yet to read a single gear review that even attempted to propose let alone declare "criteria" beyond stating biases and generalities. This isnt a creative hobby, its just trading toys. The only way one can advance is to trade up, take chances and thereby hope to learn as you go, using ones own room and gear and bank account. Few reviews helped in making a purchase; most reviews in fact are biased and misleading sales pitches and harm more than help; especially harmful to new buyers who are lacking experience and might be more easily suckered. .