Rok, and Frogman, with your help I would like to take a very interesting historical journey; we'll do it "audibly". I want to trace African music from slavery to the present, beginning with music from Brazil.
Baden Powell is an artist who was the favorite of a professional jazz musician I knew, his music has stood the test of time in my collection, and it's the just right blend of Afro Brazilian jazz that stands repeated listening.
"Canto De Ossanha" is one of my favorites.
http://www.youtube.com/watch?v=JgS16Ipnr2E
Next is a very languid version of "Lemanja".
I would like for us to explore Afro Brazilian the same way we explored Afro Cuban, we didn't skim the surface, but went deep; bypass the commercial, there is a wealth of this music we haven't heard before.
I've noticed a big difference between the different Afro Blends. Afro- Cuban, is quite different from the Brazilian. The most unique aspect of Afro Brazilian music is the berimbau. Here is the website that gives a description of this instrument.
[url]http://en.wikipedia.org/wiki/Berimbau>http://www.youtube.com/watch?v=IcpfHAJZagE[url]
I would like for us to explore Afro Brazilian the same way we explored Afro Cuban, we didn't skim the surface, but went deep; bypass the commercial, there is a wealth of this music we haven't heard before.
I've noticed a big difference between the different Afro Blends. Afro- Cuban, is quite different from the Brazilian. The most unique aspect of Afro Brazilian music is the berimbau. Here is the website that gives a description of this instrument.
[url]http://en.wikipedia.org/wiki/Berimbau
Slaves in Brazil escaped and set up a free community in Brazil called Palmares that lasted for almost 100 years; that's why the "Afro" in Afro Brazilian is so pervasive. This was a historical secret for quite some time. While the "berimbau" was one of their favorite instruments, nobody knows precisely where it came from, that's what I mean when I say "Afro Brazil" is unique.
While there is "Afro-Cuban", there is no "Afro-American"; slave masters evidently told them "I want yall to stop beatin them damn drums, ya hear me", and they quit. Slavery in this country was by far the cruelest. African music came to this country from Cuba or Haiti, it was not passed down from the African slaves. Nothing African, that's audible, came my way before Dizzy Gillespie, and that was from Cuba. The only thing that survived was the "Voodoo music" in New Orleans, and it would not have survived if it had not been kept secret. While this religion and it's music are one inseparable package, we want to focus exclusively on the music. Here is some accompanying music from New Orleans, check "New Orleans Voodoo" on you tube, there is no doubt about it's origin; "Africa"!
If you go to Haiti, you will hear this same music; kids can beat this out with a rock in each hand banging on a metal shovel, while others dance to the music.
This same music and rituals can be heard anywhere in Brazil if you are invited to one of the secret meetings, and I'm sure the same goes for Cuba; but this isn't about the rituals, this is exclusively about music from Africa that survived through that horrible thing called slavery.
Enjoy the music.