Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
He wrote many good tunes. His best known is "Nuages" which O-10 posted a link to above; it's been recorded by many jazz greats. "Minor Blues" is another one, as is "Belleville". If this ain't jazz:

http://m.youtube.com/watch?v=nS2ylPAUxzA

What do you call this? (Notice the great similarities):

http://m.youtube.com/watch?v=xiWCUIY6ClQ

Rok's comments about Louis Armstrong above are particularly appropriate. From The Louis Armstrong House Museum:

*****In 1930, Django's friend Emile Savitry played for him Armstrong's new recording of "Dallas Blues," Accord to Savitry, when Django heard it, he broke down weeping, holding his head in his hands and exclaiming in the Romani language, "Ach moune," or in English, "My brother." Here is the recording that changed the life of Django--and the guitar--completely:

https://www.youtube.com/watch?v=789Co-Ad1AY
To anyone:

(1) Do all symphony Orchestras utilize the same seating arrangement? I.E. are all the different instruments seated in the same place relative to the conductor in all orchestras?

(2) Are all memebers permanent? What about instruments that may not have parts in most symphonies. Harp? Are they full time employees?

(3) And lastly, this has been driving me nuts. Both BBC and Gramophone magazines have a monthly article where they discuss and make recommendation on a particular piece of music. They will review several performances and give their take on each, including ones to avoid.

While reading one of these articles I THINK, I read the following. "and for those of you that DEMAND THAT EVERY NOTE BE PLAYED", they then named a CD.

I think it was Paganini. My question is this: Is it ever 'acceptable' or permitted, or even expected, that all of the notes of ANY piece of music will not be played? Even by a soloist.

Cheers
Django?

You guys!! Always pulling my leg. But I must admit, you had me convinced you were serious for a while. :)

Cheers