Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
***** Miles Davis was "Some guy who played locally in St. Louis", Clark Terry, was some guy who played locally in St. Louis. Grant Green, was some guy who played locally in St. Louis. *****


I said PLAYS, not PLAYED.

Besides, St. Louis is no longer St Louis.

Cheers
***** rok2id, Were you in combat with the Ist Cav ?*****

No. 

Since we can have Icons now, I just decided to insert the shoulder patches of the units I served with.   1st Cavalry Division was my last unit.  2nd Infantry Division (2id), my favorite.   Stay tuned.

Cheers



Learsfool, this was a play that had been made into a movie, and I had already seen the movie; that's why I was so fascinated by these guys down in the pit, where they were out of sight for the audience, because the audience looked over and past them, at the play.

Although they were referred to as "doublers", they may have up to eight instruments each. I just looked at what the reed section consisted of: Alto sax; Tenor sax; Clarinet; Flute;and Piccolo, plus an oboe.

Now this was a dramatic play, with dramatic changes, and those guys in the pit stayed glued to that sheet of music in front of them while they changed instruments. I'm impressed by a musician who can really play any instrument; I was doubly impressed by these musicians who could play a multiplicity of instruments, and never even look at the instrument they were playing. (I guess I'm easily impressed)

While they're playing, their music had to correspond with what was going on, on stage. I wonder how many "doublers" does Frogman know. Now I remember Frogman explaining that once. I was impressed then, and just the thought of what they were doing impresses me now.


Phantom Of The Opera (orchestration according to The Really Useful Group, the company that holds the license)
Woodwind 1 (Piccolo/Flute)
Woodwind 2 (Flute/Clarinet)
Woodwind 3 (Oboe/Cor Anglais)
Woodwind 4 (Eb Clarinet/Bb Clarinet/Bass Clarinet)
Woodwind 5 (Bassoon)
3 French Horns
2 Trumpets
Trombone
Percussionist
2 Keyboards
Harp
Violins (7 recommended)
Violas (2 recommended)
Cello (2 recommended)
Contrabass
Total: 27 Players





Enjoy the music.
***** rok2id, cool with me but I know others who did  that would take offense******

How so?   Explain?