Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
Hi all. Merry Christmas. 

I wanted to give a brief report on the Merrill Taranis stereo amp and Cara Pre-amp I was fortunate enough to audition. The Taranis is 400wpc into 8 ohms class D in the same design as my nCore Veritas amps. The preamp and amp are a matching design with a top panel mounted over an underlying chassis; not like the aluminum billet milled Veritas chassis. The front is polished with central screens. Very attractive overall. The case rings with a finger tap and doesn't have the solidity of the Veritas. The amp sounded like a budget version of the Veritas; neutral, dynamic, engaging and quite a bargain at, I think, around $4k. The Cara is also around the same price and had a warmer, sweater sound with a nice deep soundstage. A bit tubelike. I would say the amp is flexible in that it would sound good with solid state or tube gear. I think the preamp needs the Taranis to sound it's best. For under $10k it's a nice sounding combo but there is a LOT of competition in that price range and some is very good. Merrill has a very flexible audition policy and if your in the market for that price range gear then it's worth a consideration. 
Matt - the Taranis is even more of a bargain that it would be at around $4000 since the price w/free shipping from Merrill Audio is actually $2500.  A review of the Taranis (used w/a tube pre-amp) was posted here on Audiogon some weeks ago.  A link to a recent 3rd party "professional" review of the Taranis is also available in that review thread.    

Teranis is a lovely amp indeed. Yes, I would consider its overall performance as a junior, and perhaps subtly warmer  version of the Merrill Veritas.


In its default configuration of 26dB gain, Teranis will do fine with moderately large speakers that do not present particularly tough load challenges... With my Vienna Die Muzik, and the amp driven by Rowland Aeris, when increasing volume to realistic listening levels, suddenly the sound crosses into an area of lesser linearity, where the presentation becomes slightly boomy/shouty and less relaxed.


However, this is not a fatal flaw. Merril increased my evaluation unit gain to 29dB, which enabled Teranis to handle my speakers with ease.


It is worth noting that some other NCore NC500-based amps -- such as the Acoustic Imagery ATSAH 500 -- sport a dedicated NC1200/700 SMPS per channel instead of the single NC1200/700 shared for the two channels in Teranis. I conjecture that such implementations might be better suited for relatively demanding speakers.


Regards, G.




It's funny that I totally have no interest what so ever in any Class D amplifier.
Hi Jwm
Is this because you  find  they all have an identifiable sonic  signature  or theoretical  based on the  fact they're  class D? Just curious.
Charles,