Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
O-10

Great clips. Enjoyed them all. Esp Kirk's version of 'The Entertainer'. I bet Scott Joplin didn't know he wrote THAT!!

Dizzy's trumpet was not bent upwards. Do you know when, and why, he did that?

Cheers
Hi O-10 - thanks for reposting those links. It made me realize I had heard of Willie Ruff also in the context of Yale, but never put two and two together that this was the same jazz horn player. I haven't Googled him, so I don't know if he is still living. He certainly hasn't been at Yale in decades now.

The one clip that had him playing horn was quite short, just the Stompin at the Savoy tune. Fine rendition, as far as it goes, doesn't really show off much improvisational skill. I don't have any albums of his other than the one I mentioned where he is playing hymn tunes in a church. I'd love to hear more of him, to really check out what he could do. It's possible that he didn't improvise a whole lot - he certainly would have learned that skill later in his horn playing life, judging from the comments he makes to Gumbel.

He certainly wasn't the best out there in the New York jazz scene back in the day, though this should not be taken to mean he was not a good player. The best jazz hornist out there was Julius Watkins - I have a few albums of his that he did as leader, though usually he was a side man, as pretty much most jazz horn players are. Robert Northern was another, and even Gunther Schuller played quite a bit of jazz on the side back in the day when he wasn't in the pit at the Metropolitan Opera. All three of these men appeared with Miles Davis, at least two of them on Birth of the Cool. Julius Watkins records are worth seeking out, though they are very hard to find and usually very expensive, being Blue Notes. There is one he did for Philips called French Horns For My Lady, all Quincy Jones arrangements.
The story that Diz told was that at his wife's birthday celebration a couple of dancers fell on his horn and bent it. He played it that night anyway, bent and all, and in spite of the fact that it was now harder to play he liked the sound. He then commissioned a trumpet with an upturned bell and the rest is history.

BTW, the trumpet player on that clip is not Dizzy. I guess it's time for the 3rd installment of the "Lobotomy Award". Who can name the trumpet player? As always, NO CHEATING! And to make things really interesting (in case someone cheats) whoever can name the saxophone player also wins the "No blues, no Jazz" prize.
The Frogman.
To name such a distinguished prize 'no blues, no Jazz', Surely must imply agreement with the sentiment! Welcome aboard!

Cheers
Thanks! But, I have always been on the same train. I think the difference is that you took the EXPRESS; I took the LOCAL. ;-)