I certainly understand your perspective Oregonpapa and while some of those audio products back in the 50’s and 60’s could be considered expensive they weren’t out of the reach of the middle class enthusiast what would and could purchase them. My parents paid 500.00 for a console stereo in 1960, many did. How many Kimball console pianos were sold in those times at from 500-800, of course if you had the resources one could purchase a Steinway either console or grand at considerably more and probably not affordable to most in the middle class.
Today there are STILL many affordable audio products for everyone, maybe even more so than back then. But there are ALSO many exorbitantly priced audio products that are strictly geared to the status of ownership, much like say a Rolls Royce or Ferrari or any product that is often geared to exclusivity and WOW rather than value. The premis that these products perform at a higher level than less ambitious products is debatable, at least in my experience, same as with vintage components. To ME it’s beyond "wishful thinking" that I BELIEVE that some properly restored vintage products can perform at a competitive level, that is, providing musical enjoyment AND most importantly to me with ANY audio product/system, engagement at a high level and that their REAL value can be based solely on that fact aside from their vintage status and value as a collectable. It certainly is the case for me. I restored the amps to sell them. I’m keeping them because I enjoy listening to them on occasion, they’re that good. On the other hand I would acknowledge they would not be my first choice in all cases, what ever is in audio except for those that can make any choice of their desire :)
Today there are STILL many affordable audio products for everyone, maybe even more so than back then. But there are ALSO many exorbitantly priced audio products that are strictly geared to the status of ownership, much like say a Rolls Royce or Ferrari or any product that is often geared to exclusivity and WOW rather than value. The premis that these products perform at a higher level than less ambitious products is debatable, at least in my experience, same as with vintage components. To ME it’s beyond "wishful thinking" that I BELIEVE that some properly restored vintage products can perform at a competitive level, that is, providing musical enjoyment AND most importantly to me with ANY audio product/system, engagement at a high level and that their REAL value can be based solely on that fact aside from their vintage status and value as a collectable. It certainly is the case for me. I restored the amps to sell them. I’m keeping them because I enjoy listening to them on occasion, they’re that good. On the other hand I would acknowledge they would not be my first choice in all cases, what ever is in audio except for those that can make any choice of their desire :)