Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Learsfool:

****The problem is the guy who has the music would want to play, and he kinda sucks, so, my friend doesn't want him to play, so he won't loan us the music. Sigh.****

Nothing better than starting the day off with a good laugh! I had to LOL when I read that statement. Haven't heard of that since my play-ground days. It always Seemed as if the guys that could not play very good, owned the ball. Must be a natural law.

Thanks for all the info, esp about the trumpets. I may have asked about the composers before, but I needed to hear it again, to be sure!! No wonder they are called Geniuses.

I looked at the DVD again, and the guy in the headset is there. Right next to the Bassoon players. When the camera zoomed in on the bassoons, there he was. I guess it was some tech thingy since the program was being recorded in audio and video. But he was dressed in white tie. They were playing "Troika", from Lieutenant Kije, if that would mean anything. The DVD was "A Carnegie Hall Christmas Concert"

On the Karajan New Years concert in Vienna, when the camera panned the audience, I was surprised at the number of people that did not applaud after each number. Just set there. After all, this was KARAJAN!!

Thanks again

Cheers
O-10:

Start the New Year off right!!

http://www.youtube.com/watch?v=jNnplwRbS8U

Cheers
Leersfool, I'm trying to get a handle on French horn and jazz. Although Miles used French horns on "Sketches of Spain" and "Porgy and Bess", they just seemed appropriate parts for a French horn as opposed to "jazz French horn". I would like your evaluation of "jazz French horn" that I discovered on you tube.

https://www.youtube.com/watch?v=_Sy0NcSvSaM

https://www.youtube.com/watch?v=SM5g6IULCXs

https://www.youtube.com/watch?v=csGCnUgtl4E

Enjoy the music.
Rok - another thing I thought of on the person playing no instrument - it may be the third bassoon/contrabassoon player, who didn't happen to play on that particular piece, but is on stage because he played something else on that half of the program. His instrument is probably on a stand next to him.
Orpheus - Miles used horn on quite a few of his albums - I believe I have mentioned Birth of the Cool already in this thread. We also discussed horn in jazz quite a while back. I know I have mentioned Julius Watkins and that same album in your first link above. He is the most famous jazz horn player from that era, and probably ever. He was usually what they call a side man, but did record some albums as leader of a group, like that one. Those arrangements, by the way, were all done by Quincy Jones, and the quartet of "back up horns" included two of the most famous classical players in New York at the time, Gunther Schuller and John Barrows. Gunther Schuller is still alive, and still teaching and writing music (he is also a composer). I have met him before, and most hornists own a copy of his famous horn method book.

The third link you posted is Tom Varner, who is currently the leading jazz hornist in the world. There are only a handful of players who make their living doing it, and he is one of them. I haven't ever met him, but we have chatted online on horn websites. Nice guy, and good player.

No idea who the guy in the second link is, and it doesn't say. He is obviously not an improviser, since even though he did write that tune, he is using music (as is the pianist and even that guitar player). That one is not my cup of tea anyway, with the electric guitar and electronic keyboard. Although he is a decent enough player, I was not particularly impressed. Certainly not the level of player (or musician) in the other two links.