^^^
Wow! Now that's what I call a cogent post. Thanks.
" So, the bass is clearer, but very slightly more lightweight, although I then followed that with the Labelle CD ’Nightbirds’ (you know, the one with Lady Marmalade’s famous ’voulez-vous coucher avec moi, ce soir’ phrase on it). I’d never been impressed with the bass on that CD, yet there was WAY more of it than i was used to..."
I have a recording (Vinyl) on the Pablo label featuring Milt Jackson (vibes), Ray Brown (bass) Monty Alexander (organ) and Mickey Roker drums. Its a live recording of a concert that took place in a London nightclub in 1982. The recording is a tribute to "Monk."
On side one, cut three, Ray Brown is playing a solo using his bow on the bass for the entire side. The tune is "Round Midnight." Its a terrific test of the bass response of any system. I played it several times with broken in SR Red fuses and also with the SR Blacks. Its progressively gotten better with each fuse change. Its to the point now that when Ray Brown hits the very lowest notes, the bass reverberates and projects into the room to the extent that it makes my chest vibrate. Its quite amazing and totally realistic.
Wow! Now that's what I call a cogent post. Thanks.
" So, the bass is clearer, but very slightly more lightweight, although I then followed that with the Labelle CD ’Nightbirds’ (you know, the one with Lady Marmalade’s famous ’voulez-vous coucher avec moi, ce soir’ phrase on it). I’d never been impressed with the bass on that CD, yet there was WAY more of it than i was used to..."
I have a recording (Vinyl) on the Pablo label featuring Milt Jackson (vibes), Ray Brown (bass) Monty Alexander (organ) and Mickey Roker drums. Its a live recording of a concert that took place in a London nightclub in 1982. The recording is a tribute to "Monk."
On side one, cut three, Ray Brown is playing a solo using his bow on the bass for the entire side. The tune is "Round Midnight." Its a terrific test of the bass response of any system. I played it several times with broken in SR Red fuses and also with the SR Blacks. Its progressively gotten better with each fuse change. Its to the point now that when Ray Brown hits the very lowest notes, the bass reverberates and projects into the room to the extent that it makes my chest vibrate. Its quite amazing and totally realistic.