Headphone question


I generally do not use headphones for listening, as I prefer my loudspeakers.  However, I do a lot of digitizing of my LPs (a long-term ongoing project).  For the last few years, I have been using Grado SR-60s to monitor the recordings I make on a Marantz pro-sumer CD recorder.  While these are very pleasant sounding headphones, they are a tad euphonic, warming up the mid-bass, and rolling off the treble.  This makes them great when listening for pleasure, but using them as monitors for recording tends to result in recordings that are too hot on top and too rolled off in the bass.  So I am thinking of looking for a new set of cans, one that would be more of a professional-style sonic balance, very revealing, and very flat in frequency response.  Sonic beauty is not the goal here; I want to hear everything being burned onto my CD-Rs, warts and all.  The headphone equivalent of studio-monitor loudspeakers is what I need.

I prefer over (around) the ear designs.  I do not need isolation, nor is bleed into the room an issue for me.

My ears tend to get sweaty with closed-back designs, so unless there is a closed-back design that avoids sweaty-ears, I would prefer open-back designs. 

Also, since I have a connection to a certain retailer, I can get big discounts on the brands this retailer carries, so I want to restrict my choices to one of these brands.  Also, since my budget for new cans is limited, I need to restrict my choices to headphones that have a street price of about $200 or less (less being better).

Here is a list of the brands from which I can choose, with most models from these manufacturers being available to me:

AKG
Sony
Sennheiser
Audio Technica
Shure
KRK
Fostex
Roland
Ultrasone
Grado
V-Moda
Direct Sound

Any adice would be very much appreciated!  Thanks.

bondmanp
Thanks, mapman.  Yes, I apply EQ via the Kenwood unit.  Obviously, I am not a purist.  Also, the cartriges I have, especially the Ortofon, are on the bright side of neutral, IMO.  So my conclusions about the Grado SR-60s is based on comparing the end result - the CD-R, verses what I was hearing through the Grados while monitoring the recording.  So, whether it is the headphone section of the CD recorder, the headphones, or my ears, the end results are consistently brighter-sounding than what I hear while recording.  I end up trying to compensate for that with the equalizer, but it is a very hit-or-miss process.  I'd much rather have a set of cans that would give me a more accurate representation of the recording, even if I am actually compensating for frequency imbalances in the CD recorder's headphone section.  Have I made this clearer, or have I made it more confusing?
Why not just record with no EQ and have a recording that is same as original? If source is Ortofon cart recording should be no brighter or different than otherwise, right?

Or if the cart is too bright to start, maybe something can be done there.

Once you have that you could even attempt to master your own alternate digital versions from there with the right software if you choose rather than banking on it during recording and possibly not getting it the way you want.

Just brainstorming....

On a side note, tonality of Sennheiser headphones in general remind me the most of OHM Walsh tonality, which by all accounts is typically pretty darn flat.  I always seem to levitate back to both no matter what over time.
+1 mapman  its been a long time since i owned them but my recollection is that if anything, the SR-60s are a little bit hot compared to the Grados. 
I do not have SR-60s but do have px100 II and px 200 II.   One open back one sealed but both with similar Sennheiser tonality.

I also have over ear Sennheiser Momentum phones which bump up the low end a tad for the masses but otherwise are typical higher end Sennheiser home (not pro) sound to my ears
the couple i like in your range are the sennheiser momentum and the philips l1 (both come in on-ear and over-ear versions).