Thanks, Raul. Please don't confuse the fact that I own a DV505 with the idea that I believe it to be "the best" of anything. I really think most audio equipment is flawed in one way or another and that it is our job to put pieces together that work as synergistically as possible to produce whatever "sound" one is pursuing. (In your case, that would be the lowest distortion possible, pure and simple.) Many people don't understand that the term "synergism" means 1+1 = more than 2, by the way. When 1+1 =2, the interaction is merely "additive". I actually chose the DV505 several years ago for use with slate plinths I made for my Lenco and for my DP80; I wanted tonearms that could be flush-mounted on top of the slate without need for an armboard or to drill the slate, which is a royal pain in the culo. The Triplanar, Reed, Durand tonearms also fit this description but are more costly.
I seriously considered the Mint LP when I decided to buy the UNItractor. The UNI is like the Mint in that it is different for every possible tonearm, but unlike the Mint in that it is a 2-point alignment, not an arc alignment. However, 2 points define an arc for a given constant radius. If you have a lot of tonearms, then the cost of the UNI rapidly becomes reasonable, as compared to buying a Mint LP for every tonearm. The UNI includes a different template for each tonearm, accommodation for three different spindle diameters, ability to set the cartridge using a stabilized magnifier, a built on light which makes the job easier, and several other features that make exact set-up closer to possible. But like the DV505, I am not saying it's perfect or "the best", just very very good.
I seriously considered the Mint LP when I decided to buy the UNItractor. The UNI is like the Mint in that it is different for every possible tonearm, but unlike the Mint in that it is a 2-point alignment, not an arc alignment. However, 2 points define an arc for a given constant radius. If you have a lot of tonearms, then the cost of the UNI rapidly becomes reasonable, as compared to buying a Mint LP for every tonearm. The UNI includes a different template for each tonearm, accommodation for three different spindle diameters, ability to set the cartridge using a stabilized magnifier, a built on light which makes the job easier, and several other features that make exact set-up closer to possible. But like the DV505, I am not saying it's perfect or "the best", just very very good.